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Coltrane 58: The Prestige Recordings
by C. Andrew Hovan
Some fifty-two years since his death, the shadow of John Coltrane looms large in the minds of many jazz fans and musicians. Over the past few years this has been aided and abetted by the fact that his music continues to be repackaged. In the case of last year's Both Directions at Once, some previously unissued ...
Ten on Cellar Live
by C. Michael Bailey
That crafty Canadian Cory Weeds was onto something with the creation of his Cellar Live and now Cellar Music label. He reveals himself as a man for all seasons in being a confident saxophonist, music historian, and archivist with his new label Reel to Real (in cooperation with that maestro of the catalog, Zev Feldman. With ...
John Coltrane: Coltrane '58: The Prestige Recordings
by Mike Jurkovic
Sure these 37 tracks, predominantly standards, blues, and ballads have been released before on such earlier, pre-iconoclast recordings as Black Pearls, Soultrane, Bahia, and Setting The Pace, (Prestige, 1958) but never as chronologically curated as they are presented here on Coltrane '58: The Prestige Recordings. Certainly an argument can be made that they may ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Arthur Satyan: A life Steeped in Music
by Hrayr Attarian
Pianist, composer and educator Arthur Satyan came to Lebanon from his native Armenia in 1996 with a 3-month contract for the reopening of the area's premier performance space Casino Du Liban. Accompanying Satyan were American musicians drummer Steve Phillips, bassist Jack Gregg and guitarist Eric Schultz. Satyan ended up accepting a position at the Lebanese National ...
Chuck Deardorf: Perception
by Paul Rauch
Before the tech revolution that has ushered in an era of unprecedented growth and global recognition, the city of Seattle was a bit of an outpost in the world of jazz. Since the 1920s, the city has enjoyed a vibrant and innovative jazz scene, often resulting in local musicians backing major international touring artists. The emerald ...
Blue Note's Tone Poet Series
by Patrick Burnette
With CD-quality streaming a reality for those with butch internet and money to burn, and vanilla streaming the reality for almost everyone else, digital music has never seemed less collectable. Why clutter your Marie Kondo-approved home with jewel boxes when much (though heaven knows not all) of the digital catalogue is available on tap? While compact ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Chuck Deardorf: Hanging On To The Groove
by Paul Rauch
Bassist Chuck Deardorf has gained a reputation for virtuosity and professionalism over a career that has thus far spanned 40 years. He has been the first call bassist in Seattle for most of his career, playing with some of the most renowned musicians in the history of jazz. For many years, despite having a prolific local ...
My Guitar
by Jeff Fitzgerald, Genius
This Christmas marked a very important anniversary in the history of Your Own Personal Genius. Thirty years ago, I received a gift that would change the course of my life forever: a Korean-made Starforce Strat-copy guitar, along with a small Fender practice amp. I got with it a small book of basic blues scales, plus 12-bar ...
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