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Dave Young / Terry Promane: Octet Vol. 2
by Jack Bowers
It's a sign of the economic times (and a steadily shrinking audience) that more and more jazz CDs are being released these days in the near-equivalent of a “plain brown wrapper." That's certainly true of Octet Vol. 2, the second recording by Canada's Dave Young / Terry Promane ensemble. That does not mean, however, that the ...
Ronny Jordan: A pioneer of Acid Jazz, a Staple of Smooth Jazz
by Alan Bryson
This month marks guitarist Ronny Jordan's 55th birthday. A trailblazer in acid jazz, his debut album The Antidote foreshadowed Miles Davis' embrace of hip hop with the album Doo-Bop by six months. Moreover, Jordan's track “After Hours" also had a profound impact on smooth jazz as you will read in the following interview. This interview was ...
Terry Gibbs: Take It From Me
Last week I posted on Freedom, a terrific album of Kenny Burrell tracks recorded on two different dates in 1963 and '64. To date, it was never released on CD or as a digital download. What's more, Freedom also is out of print as a 180-gram vinyl release. Well, here's another Burrell album that's very tough ...
Kenny Burrell: Freedom
In March 1963, guitarist Kenny Burrell was at Rudy Van Gelder's studio in New Jersey to record singles for Blue Note or songs for an album. For whatever reason, the musicians on the date only could manage to get through three songs, with each one requiring a high number of takes. Burrell returned to Van Gelder's ...
Jacques Lesure: For the Love of You
by Jack Bowers
For one to whom almost every well-strummed guitar sounds basically the same, an honest appraisal of any guitar-led group must begin with other earmarks such as group interplay, individual dexterity, choice of material and over-all level of musicianship. Happily, guitarist Jacques Lesure's latest recording, For the Love of You, scores high in every respect, making the ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Five on Cellar Live
by C. Michael Bailey
Corey Weeds' Cellar Live label is dedicated to the most organic of jazz: small ensemble acoustic performance. In 2000, Weeds had opened his Cellar Jazz Club, originally located at 3611 W Broadway, Vancouver, BC. A year later followed the inauguration of the Cellar Live imprint. In spite of the club's closing in 2014, the label remains ...
Reggie Young: Forever Young
by Jack Bowers
It's good that guitarist Reggie Young is Forever Young, as he waited until he was almost eighty years old to record the album of that name, the first as leader of his own group(s) after six decades of backing innumerable pop stars including Elvis Presley, Neil Diamond, Dusty Springfield and Willie Nelson. While Young shows he ...
A Conversation with Mike Mainieri
by Anthony Smith
The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017). So you've been working on a new project this week? Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't ...
Meet John Reilly
by Tessa Souter and Andrea Wolper
John Reilly--yet another of our Super Fans who works for the city of New York--was born on Staten Island, where he still lives. We don't know if it's something to do with working for the city, or just a function of growing up in the capital of jazz, but John is the real thing. The son ...
