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ECM Records Announces Change in Name, Direction
by Geno Thackara
European label turns its eye toward the future as EDM. ECM Records will mark its golden anniversary with a defining change in direction, according to an announcement released today. After operating as Edition of Contemporary Music since its small-scale beginning in 1969, the eclectic European label has confirmed plans to adopt the new title ...
Moaning, Whistling, Sighing and Other Jazz Sounds
by Ludovico Granvassu
Jazz--the quintessential open door genre--has a capacity to beautifully integrate all kinds of sources. From music from faraway places to compositions written and instruments used for completely different genres. When it comes to the human voice, jazz has shown an uncanny openness to its endless possibilities finding a musical role for all sorts of non verbal ...
Women in Jazz, Pt. 2: The Girls From Piney Woods
by Karl Ackermann
In Part 1 of Women in Jazz we looked at the historical position of women in early jazz. Despite their influence in shaping the art, their talent as composers, arrangers, instrumentalists, and band leaders, women have often been token additions; marginalized window dressing in a male-dominated world. One hundred years after Lil Hardin held ...
Vijay Iyer and Craig Taborn: The Transitory Poems
by Mark Corroto
The Transitory Poems might be the first improvised solo piano recording accomplished by a pair of pianists. Vijay Iyer and Craig Taborn are 21st century masters and descendants from the likes of Cecil Taylor, Keith Jarrett, Andrew Hill, Anthony Davis, and Paul Bley. This live duo recording, from 2018 in Budapest, is an act of improvisatory ...
The Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
by Mike Jurkovic
It was back in 2012 when the last quartet-only recording Four MFs Playin' Tunes (Marsalis Music) was released. So give more room on the floor to the evil toys dancing their pants off to the pure, wild, free-styling surge of “Dance of the Evil Toys," the killer, lead-off track to the Branford Marsalis Quartet's first full ...
Liebman, Rudolph & Drake: Chi
by John Ephland
Chi is another trio outing with saxophonist Dave Liebman and percussionist Adam Rudolph, the third leg on this stool being drummer Hamid Drake. It is a kind of follow-up to 2018's alternately serene and propulsive The Unknowable (RareNoise), on which Liebman and Rudolph were joined by percussionist Tatsuya Nakatani. Unlike The Unknowable, Chi was recorded in ...
The Branford Marsalis Quartet: The Secret Between the Shadow and the Soul
by Doug Collette
Anyone who's seen the Branford Marsalis Quartet in concert is well aware of what high-flying improvisations the group can embark upon. But the foursome's abandoned approach hardly precludes due emphasis on structure---how better to highlight it than leave it behind?--which is also why this band makes studio albums as trenchant as The Secret Between the Shadow ...
Arthur Satyan: A life Steeped in Music
by Hrayr Attarian
Pianist, composer and educator Arthur Satyan came to Lebanon from his native Armenia in 1996 with a 3-month contract for the reopening of the area's premier performance space Casino Du Liban. Accompanying Satyan were American musicians drummer Steve Phillips, bassist Jack Gregg and guitarist Eric Schultz. Satyan ended up accepting a position at the Lebanese National ...
The Branford Marsalis Quartet at Jazz Standard
by Peter Jurew
Branford Marsalis Quartet Jazz Standard New York, NY February 20, 2019 The Branford Marsalis Quartet came into New York's Jazz Standard in late February to showcase The Secret Between The Shadow And The Soul, their first new album release in seven years and, in marking the special occasion, ...
Julian Lage: Love Hurts
by Doug Collette
By the release of Modern Lore (Mack Avenue, 2018), Julian Lage had fully established his very own style of modern jazz, one arising directly from his approach to the electric guitar. Justifiably proud of what he's accomplished to date, yet not content to rest on his laurels, Lage stretches himself on Love Hurts, simultaneously freshening the ...
