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Bill Frisell: The ECM Years
by John Kelman
Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...
Portland Jazz Festival 2011 - A Look Back
by Lloyd N. Peterson Jr.
Portland Jazz FestivalPortland, OregonFebruary 18-27, 2011 Promoter Bill Royston and general manager Don Lucoff have once again pulled off a hat trick of significant proportions. With the arrival and guest appearance of perhaps the greatest “star" that jazz has welcomed since Wynton Marsalis, this year's Portland Jazz Festival had the makings to ...
Marc Copland: Crosstalk
by Troy Collins
Pianist Marc Copland is widely admired for his harmonically astute writing, imaginative interpretations of standards, and sensitivity as a sophisticated soloist. The aesthetic foundation of Copland's expressionistic style can be traced to the poetic lyricism of Bill Evans and Keith Jarrett, and though the same could be said of many contemporary pianists, Copland's singular approach to ...
Take Five with Colin Vallon
by AAJ Staff
Meet Colin Vallon:After studying classical music for two years, Colin Vallon (born November 17 1980 in Lausanne) took classes with jazz pianist Marc Ueter at the age of fourteen. He enrolled at the Swiss Jazz School when he was 18, and studied with Silvano Bazan, William Evans Manuel Bærtsch and Bert Joris. In 1999, ...
Great Sidemen - Great Leaders
by Greg Simmons
Being a sideman can be a thankless job. Sure, you might get to play regularly, but you rarely get to call the tune. If your boss is a big star, the gig might even pay pretty well, but if the band is going to Fargo, North Dakota in January, brother, so are you, and you weren't ...
Arvo Part: Tabula Rasa
by Nenad Georgievski
A question that has always been asked, regardless of genre, is whether music can be conservative and revolutionary at the same time. Various composers have surfaced in recent times with brilliant compositions, but their work has not adhered to any of the schools of composition that make up the 20th century classical music. These composers have ...
Denise Donatelli: Songbird With A Grammy Nomination
by Marcia Hillman
Los Angeles-based vocalist Denise Donatelli won a Grammy nomination with her third CD, When Lights Are Low (Savant Records, 2010). An East Coast native and a recipient of classical piano training, she turned to singing jazz, wound up relocating to the West Coast and has since pursued her performance and recording career. This interview was conducted ...
Yo Miles! Revisited: Lightning and Shinjuku
by John Kelman
Amongst the plethora of tributes to trumpet icon Miles Davis' electric period on Columbia, beginning with 1969's In a Silent Way and ending with 1975's Agharta and Pangaea, only a few stand out as being truly reverential--not just to the electrified energy and jungle funk of the music, but to its undeniably avant leanings as well. ...
Noah Preminger Quartet, Boston, February 23
by Gordon Marshall
Noah PremingerScullers Jazz ClubBoston, Mass.February 23, 2011 To judge by his sophomore effort, Before the Rain (Palmetto, 2011), tenor saxophonist Noah Preminger's singular forte is the reinvention of the ballad. He does it so well, and so nearly exclusively, that it came as a pleasant surprise, during his performance at Scullers ...
Brad Mehldau: Live in Marciac
by John Kelman
Brad Mehldau Live in Marciac Nonesuch Records2011 If there's any (relatively) young pianist ready to take the torch from Keith Jarrett when it comes to solo performance, it's Brad Mehldau. In the space of (again, relatively) a few short years, from his mid-1990s emergence with saxophonist Joshua Redman through his ...
