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Carta de Amor
by John Kelman
It's sure been a banner year for fans of the ECM label, with a slew of fine new releases from artists including guitarist John Abercrombie (Within a Song), bassist Arild Andersen (Celebration), pianist Tord Gustavsen (The Well), and saxophonist Tim Berne (Snakeoil). Previously out-of-print or never-before-in-print studio recordings from saxophonist Jan Garbarek (Dansere) and pianist Jon ...
Beka Gochiashvili: Beka Gochiashvili
by Edward Blanco
An amazingly talented prodigy from Tbilisi, Georgia, sixteen year-old Beka Gochiashvili is nothing short of extraordinary, emerging as the latest piano virtuoso to hit the jazz circuit with an impressive self-titled debut sure to turn some heads and garnish well-deserved attention. Keyboardist Chick Corea's influence permeates the album, beginning with performances from Return To Forever band ...
Cecil Taylor: FLY! FLY! FLY! FLY! FLY!
by John Kelman
83 years old and approaching ninety releases as a leader, pianist Cecil Taylor's place in the history of jazz may already rest assured, but he's more cited than seen these days. He may not come up as a primary influence as often as usual suspects Bill Evans, Keith Jarrett, McCoy Tyner or Herbie Hancock, but in ...
John Surman: Manchester, England. June 18, 2012
by David McLean
John SurmanRNCMManchester Jazz FestivalManchester, EnglandJune 18, 2012As the lights slowly dimmed, a small and rather unremarkable man made his way onto the stage, in front of a table strewn with saxophones and wind instruments. However, as the audience soon discovered, when this man begins to play something utterly remarkable ...
Roy Assaf: Respect, Vol.1
by Dan Bilawsky
Innovation and as-yet-unheard-of ideals tend to sell headlines in jazz, but they mean nothing without respect for those who paved the road to the present. Many young emerging talents seem content to walk into jazz without doing their due diligence in discovery and digestion, but that often puts them in a peculiar position of being a ...
Ithamara Koorax: Celestial Elegance
by Chris M. Slawecki
Singer thamara Koorax recorded her 15th solo CD, Got to Be Real (Irma, 2012), “live in the studio" in Rio de Janeiro, the place of her birth, with her touring band--bassist Jorge Pescara, drummer Haroldo Jobim (a cousin of Antonio Carlos Jobim) and keyboardist Jose Roberto Bertrami, founding member of Brazil's famous fusion export Azymuth, on ...
Take Five With Taeko Kunishima
by AAJ Staff
Meet Taeko Kunishima: Taeko Kunishima started playing piano at seven. Particularly taken by Mozart and Beethoven, she later studied classical piano performance at university. On hearing Miles Davis for the first time, her direction changed, leading her to explore the music of many different jazz artists, and to develop her own improvisatory technique whilst ...
Beka Gochiashvili: Beka Gochiashvili
by Dan Bilawsky
Those who toil in the jazz trenches often spend a lifetime trying to develop their own sound and acquire a high-level understanding of this music, but a select few seem to be born into the fold. Drumming innovator Tony Williams, guitar sensation Julian Lage and pianist Eldar Djangirov were playing at an über-proficient level as children ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by Mark Corroto
Super groups are, by their very nature, either bright shining stars or catastrophic exploding supernovae. Dream team basketball lineups get beat by upstarts, and the new Stallone/Schwarzenegger/Van Damme movie is sure to be a nonstarter. The reasons for the flops are usually chemistry and vision, both essential requirements.Same can be said for jazz groups. ...
Lee Konitz / Bill Frisell / Gary Peacock / Joey Baron: Enfants Terribles: Live at the Blue Note
by John Kelman
The idea of going into a club and playing a set of standards without any plans, preconceptions or pre- arrangements ain't exactly new; it's what plenty of jazz musicians do, each and every night. But it's one thing to go in and run down some Real Book charts, head-solo-head style, and give everyone a chance to ...
