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Results for "Karl Ackermann"
Neil Cowley Trio: Radio Silence
by Karl Ackermann
In recent years, a number of piano trios have done an admirable job filling the void left by the untimely passing of Esbjörn Svensson and, by consequence, his pioneering trio, e.s.t. The Tingvall Trio, more than most, along with Sebastian Liedke, Marcin Wasilewski and Colin Vallon, have all overseen efforts that encapsulate a similar style and ...
Carlos Abadie Quintet: Immersed In The Quest, Vol. 1
by Karl Ackermann
Jersey City native Carlos Abadie has been a mainstay on the New York City jazz circuit for almost two decades. The trumpeter and composer has been a member of pianist Jason Lindner's big band and has worked with bassist Omer Avital and saxophonists Illinois Jacquet and Mark Turner. His debut as a leader, Immersed In The ...
Jason Kao Hwang / EDGE: Crossroads Unseen
by Karl Ackermann
Composer/violinist, Jason Kao Hwang has been firmly establishing his credentials in free jazz since his quartet, EDGE, released its self-titled debut (Asian Improv, 2006). His résumé includes work with genre luminaries William Parker, Anthony Braxton, and Henry Threadgill. There are inevitable comparisons to Billy Bang, with whom Hwang has also played, but the two masters typically ...
David White Jazz Orchestra: Flashpoint
by Karl Ackermann
With a faculty that includes John Abercrombie, Eric Alexander, Scott Colley, Jon Faddis, Jon Gordon and Kenny Washington, the Purchase College Jazz Studies Program is a leading talent pool for artists. No one alumnus epitomizes that capacity better than trombonist, composer and arranger David White on his debut, Flashpoint. Though he's still relatively unknown outside the ...
Bob Gluck Trio: Returning
by Karl Ackermann
The piano trio, in one form or another, has been a jazz staple since the 1930s, and consequently skews toward the familiar. Fortunately, there are those atypical artists who invite a deeper dive for the uninhibited. Nothing could be more challenging, interesting and listenable than the music Bob Gluck creates within that formation. Like his Something ...
Simon Latarche: Cornish Preludes
by Karl Ackermann
Simon Latarche has produced an out of the ordinary set of jazz-based preludes, based on his own academic pursuits of Bach, Chopin and Debussy's approaches to the form. The resulting Cornish Preludes is a terrific collection from the UK-based composer/pianist/educator's Jazz Ensemble. Latarche's compositions are a near perfect combination of lyricism and improvisation, and the ensemble ...
Gonzalo Rubalcaba: Fe' ... Faith
by Karl Ackermann
It's been ten years since pianist Gonzalo Rubalcaba teamed up with Charlie Haden on Nocturne (Universal, 2001). Then a twenty-something Cuban virtuoso, Rubalcaba already had a decade of recordings behind him and was being compared to Keith Jarrett and Cecil Taylor. Now a Florida resident and with his own newly minted label, 5Passion, Rubalcaba releases Fé ...
David Mott: Dragonhorn
by Karl Ackermann
Baritone saxophonist David Mott has turned out the finest solo sax recording since Anthony Braxton's Wesleyan 12 Altosolos (Hat Hut Records 1992). That is not to suggest that Mott's Dragonhorn is similar to Braxton's particular style. Mott's ten compositions are not given to episodic jumps, vibrations or anything remotely antiseptic. Rather, they are packed with emotion, ...
David Lopato: Many Moons
by Karl Ackermann
Pianist/composer, David Lopato's long career has included turns with prominent players in the fields of avant-garde jazz and classical, world music, theater, free improvisation and modern jazz. In particular, he has done outstanding jazz work with Gerry Hemingway, David Mott, Wadada Leo Smith and Joe Lovano. Given the wide and varied circles Lopato travels in, it ...
Anthony Branker & Ascent: Dance Music
by Karl Ackermann
Anthony Branker continues to experiment with the standards of large group musical tradition on Dance Music. Leading a revised version of his Ascent ensemble, the composer/musical director takes a different approach than the Latin influences on Blessings (Origin Records, 2009). Only on the last of ten tracks, “Depende," is there a composition in that vein, but ...
