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Results for "Karl Ackermann"
Miki Hirose: Scratch
by Karl Ackermann
Trumpeter Miki Hirose is a relatively new talent on the domestic jazz front, but the Japanese native has been kicking around the New York circuit for close to ten years now. Having won a number of prestigious awards in Japan, Hirose went on to play with a number of prominent U.S. musicians including Benny Golson, Lonnie ...
Simon Latarche: Cornish Preludes Book II
by Karl Ackermann
Simon Latarche's sophomore outing is the sequel to Cornish Preludes (Pentreath Music, 2010) and features the same fine ensemble that shaped the success of that debut. Cornish Preludes Book II continues the UK-based composer/pianist's scholastic pursuit of Claude Debussy's approach to impressionist composition. Combining his academic interest with the influences of Cornwall's colorful history and natural ...
Hristo Vitchev Quartet: Familiar Fields
by Karl Ackermann
The nine original compositions that make up Familiar Fields were conceived by composer/guitarist Hristo Vitchev between the releases of Song for Messambria (First Orbit Sounds, 2009) and his seven-movement Perperikon Suite (Self Produced, 2011). Vitchev wisely decided that these pieces deserved a home of their own, and that choice is more than validated here. Sharing instrumental ...
Jason Kao Hwang: Burning Bridge
by Karl Ackermann
In recent years, avant-garde music has had no more an effective champion than composer/violinist Jason Kao Hwang. With his longstanding quartet EDGE and three additional players, Burning Bridge extends and broadens Hwang's forward-thinking approach to composition and style. Where his brilliant collection, Crossroads Unseen (Euonymus Records, 2011), referenced subdued Asian-influences, Burning Bridge features a somewhat more ...
Food: Mercurial Balm
by Karl Ackermann
In their sophomore outing on the ECM label, Food continues their shape-shifting evolution, both in personnel and musical outcomes. With influences of jazz, electronica and world music, UK saxophonist Iain Ballamy and Norwegian percussionist Thomas Strønen remain as the nucleus of a group that has managed to reinvent itself with each of its seven releases. Through ...
Eberhard Weber: Résumé
by Karl Ackermann
Composer/bassist Eberhard Weber has been one of the heritage artists to define and exemplify the standards of Manfred Eicher's ECM Records. Résumé continues the tradition of both the label and Weber with an unusually structured collection of live performances culled from more extended pieces. This global collection of bass solos, culled from live Jan Garbarek Group ...
Karl 2000: Karl 2000
by Karl Ackermann
Imagine a melding of saxophonist Albert Ayler's frenetic pacing and saxophonist Peter Brötzmann's raw power and the result would be the thematic nature of Karl 2000's self-titled debut. Though saxophonist Daniel Rovin is billed as this power trio's co-leader, he is clearly the musical force throughout this collection. Along with eight original improvisations, Karl 2000 includes ...
Phil Grenadier / Bruno Raberg: Plunge
by Karl Ackermann
There are conspicuously few trumpet and bass duo recordings in the archives of jazz, though the rationale is not obvious. The sonic characteristics of the two instruments work surprisingly well in the hands of disciplined artists who emphasize the creative process over fireworks. Trumpeter Phil Grenadier, brother of bassist Larry Grenadier, is teamed with bassist Bruno ...
ZBT: Out of This Town
by Karl Ackermann
There are many fine selling points for the city of Tampa, but being a “jazz Mecca" probably isn't at the top of the list. With its aspirational title, Out of This Town may be the vehicle that takes the Zach Bartholomew Trio (ZBT) from their native Florida to some greater exposure. The group's debut recording is ...
Dan DeChellis Trio: My Age of Anxiety
by Karl Ackermann
If anything in jazz approaches the status of a commodity, it would be the piano trio. The inevitable comparisons run the gamut from Bill Evans and Keith Jarrett to Cecil Taylor and, more often than not, those benchmarks are either unattainable or unsustainable. A more accessible measure may be in the ability to differentiate one group's ...
