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7

Article: Album Review

Sensaround: Heart/Noise

Read "Heart/Noise" reviewed by Karl Ackermann


Sensaround is an electro-acoustic trio of Australian and Scottish lineage, co-led by the familiar names of Alister Spence and Raymond MacDonald and the less recognized Shoeb Ahmed. Heart/Noise is the group's third release following the 2014 Isotropes (hellosQuare recordings). The music defies categorization, combining--as the musicians describe it--"jazz ambience, ghostly dub, and post-punk experiments...." It is ...

11

Article: Album Review

Rob Mazurek: Psychotropic Electric Eel Dreams IV

Read "Psychotropic Electric Eel Dreams IV" reviewed by Karl Ackermann


On Rob Mazurek's Psychotropic Electric Eel Dreams IV, the multi-instrumentalist, composer and visual artist has woven together esoteric and tangible elements on two extended tracks, with their origins in mysteries of the deep. His frequent objective is to musically capture any number of interactions between humans and nature, the spiritual world, and physical foundations. In that ...

10

Article: Album Review

Frode Gjerstad / Fred Lonberg-Holm / Matthew Shipp: Season of Sadness

Read "Season of Sadness" reviewed by Karl Ackermann


Norwegian multi-reedist/composer Frode Gjerstad has been active in free jazz and avant-garde music across five decades. Among his collaborators are Paal Nilssen-Love, Peter Brötzmann, Evan Parker, Derek Bailey, William Parker, Sabir Mateen and Johnny Dyani. Gjerstad has toured and played festivals extensively, in Europe and North America, and composed commissioned work for the historic Moldejazz festival. ...

21

Article: Album Review

Rob Mazurek: Desert Encrypts Vol. 1

Read "Desert Encrypts Vol. 1" reviewed by Karl Ackermann


It was twenty-five years ago, in 1994, that Rob Mazurek first emerged with Man Facing East (Hep Jazz), a quartet recording solidly positioned in the post/hard bop style. Even in the interpretations of standards, there were clues that the cornetist/composer was a restless soul. In the intervening years, Mazurek has rapidly charted his own dissident destiny ...

7

Article: Album Review

Rich Halley with Matthew Shipp, Michael Bisio and Newman Taylor Baker: Terra Incognita

Read "Terra Incognita" reviewed by Karl Ackermann


Rich Halley's leader debut Multnomah Rhythms (Avocet, 1983) featured a large ensemble, a formation that the saxophonist favored for the better part of two decades. When he pared back personnel, he was equally committed to his quartet, recording six albums with trombonist Michael Vlatkovich, bassist Clyde Reed and son, Carson Halley on drums. The Outlier (Pine ...

16

Article: Album Review

Satoko Fujii / Ramon Lopez: Confluence

Read "Confluence" reviewed by Karl Ackermann


Satoko Fujii's duo recordings are among her most interesting projects. Those one-on-one situations bring out creative energy in the improviser that becomes perpetual movement between musicians. The shape-shifting artist has worked this magic with Australian pianist Alister Spence, bassist Joe Fonda, violinists Mark Feldman and Carla Kihlstedt, and Fujii's husband, trumpeter Natsuki Tamura. Similarly, Fujii's work ...

36

Article: Under the Radar

The Black Swan: A History of Race Records

Read "The Black Swan: A History of Race Records" reviewed by Karl Ackermann


Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...

6

Article: Album Review

Patrick Brennan / Abdul Moimême: Terraphonia

Read "Terraphonia" reviewed by Karl Ackermann


Somewhere on a timeline that includes studying guitar in Madrid and architecture in Boston, Portuguese native Abdul Moimême studied saxophone with American artist Patrick Brennan. Moimême has been prolific as part of almost two-dozen leader/co-leader releases since his debut Nekhephthu (Creative Sources, 2008). Brennan is lightly recorded with four leader dates over the past two decades. ...

11

Article: Album Review

Adam Berenson / Scott Barnum: Stringent and Sempiternal

Read "Stringent and Sempiternal" reviewed by Karl Ackermann


Pianist and composer Adam Berenson and bassist Scott Barnum have been working as a duo for more than a decade. Two years ago, on Introverted Cultures (Dream Play Records, 2017), they were joined by guitarist Eric Hofbauer on a double-CD set of improvised pieces. Back as a duo formation on Stringent and Sempiternal, the pair offer ...

12

Article: Album Review

John Lamkin: Transitions

Read "Transitions" reviewed by Karl Ackermann


Dr. John R. Lamkin, II has dedicated much of his career to bringing music to students and the community while recording little, so his many Mid-Atlantic fans will welcome Transitions, his first release in decades. His only prior album was Hot (Self-Produced, 1984), where the trumpeter wrote all but one composition. As Director of Bands and ...


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