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The New Golden Age of Jazz Radio
by Karl Ackermann
There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...
Kris Davis: Diatom Ribbons
by Karl Ackermann
The virtuoso pianist and composer Kris Davis has been ubiquitous in 2019. Her projects with Nate Wooley, Ken Vandermark, and Craig Taborn have been complemented by her appointment to the faculty of the Berklee Institute of Jazz and Gender Justice. Davis will serve as associate director of creative development and teach composition and improvisation courses. The ...
Ken Vandermark with Kris Davis/Hamid Drake/Paul Lytton/Ikue Mori/William Parker: Momentum 4: Consequent Duos 2015>2019 (Box Set)
by Karl Ackermann
When reed player and composer Ken Vandermark launched his recording career in 1995, he did so with the deceptively titled Standards (Quinnah Records). Free improvisations with titles like “Rage for Speaking" and “A Sick Man's Dreams" indicated a different view of the agreed-upon definition. And so, it has been and has evolved, over nearly twenty-five years ...
Pearring Sound: Nothing But Time
by Karl Ackermann
A protégé—and collaborator—of the late, great pianist Connie Crothers, Colorado native, and Brooklyn resident Jeff Pearring has a wide-ranging background encompassing genre from reggae to classical, to jazz. Beyond a physical resume, it is his relationship with Crothers where Pearring reveals himself to be a voracious student of musical history with an equally insatiable appetite to ...
Noah Preminger Group: Zigsaw: Music Of Steve Lampert
by Karl Ackermann
Tenor saxophonist Noah Preminger has dedicated considerable effort into his imprint on jazz variations of the delta blues with Some Other Time (Newvelle, 2016), Pivot: Live At The 55 Bar (Self-Produced, 2016) and Meditations on Freedom (Self-Produced, 2017). Zigsaw: Music of Steve Lampert is a departure in concept and content with a single extended track composed ...
Taylor Ho Bynum 9-tette: The Ambiguity Manifesto
by Karl Ackermann
Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. ...
Denman Maroney: Solo @70
by Karl Ackermann
Denman Maroney, best-known for his use of the dual-keyboard hyper piano, celebrates his seventieth birthday with a massive collection of solo pieces played on the traditional piano. However, there is little traditional about Solo@70. Maroney's sizable catalog of over forty releases includes several solo projects; the previous such album, Domicil Solo (Live) (Self Produced, 2017) consisting ...
Binker Golding: Abstractions Of Reality Past & Incredible Feathers
by Karl Ackermann
Binker Golding has been gathering a loyal and impressive following on the London jazz scene with comparisons to John Coltrane and Sonny Rollins. Dispensing with some measure of hyperbole, Golding's prestigious UK based MOBO and MOJO awards, and growing fan base lend validity to his local stature. Like Idris Rahman, Nubya Garcia and Shabaka Hutchings (Sons ...
Mike Holober and the Gotham Jazz Orchestra: Hiding Out
by Karl Ackermann
Mike Holober's background as a classical pianist and conductor is just one thing that sets Hiding Out apart from the current crop of big band releases. Holober has worked in a variety of settings from solo, duo, and quintet to large ensembles. Two previous recordings with his Gotham Jazz Orchestra were the critically acclaimed Thought Trains ...
Ill Considered: 6
by Karl Ackermann
The London-based quartet, Ill Considered, has churned out nine full-length albums in less than two years, each high quality and each a unique jazz creation. Founded in 2017, saxophonist Idris Rahman, drummer Emre Ramazanoglu and bassist Leon Brichard replaced their additional percussionist with Satin Singh on their second release, Live at the Crypt (Self Produced, 2017). ...
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