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A Different Drummer, Part 2: Royal Hartigan
by Karl Ackermann
Drums of Life--Drums of DeathThe ruins of the Anasazi people stand undisturbed in the cliffs between the high mesas and the canyon floors of the southwest. Dating to 2500 B.C., the multi-story adobe pueblos and stone cities were the sites of the ancient indigenous peoples of North America. Archeologists have uncovered an assortment of percussion instruments ...
Nik Bärtsch: Entendre
by Karl Ackermann
Swiss keyboardist & composer Nik Bärtsch has been recording for two decades, mostly with his Ronin and Mobile groups and their overlapping musicians. A ceaseless experimenter, his early release Hishiryo: Piano Solo (Ronin Rhythm Records, 2002) was a genre-neutral project where he played piano, prepared piano, and percussion. It has been almost twenty years between solo ...
Roberto Miranda's Home Music Ensemble: Live at the Bing Theater; Los Angeles, 1985
by Karl Ackermann
Roberto Miranda has appeared on almost one-hundred albums but has been lightly recorded as a leader, and inexplicably struggled to generate interest among labels. Dark Tree Records has released some great Horace Tapscott performances from the '70s and '80s. The label resurrected a Miranda-led session on Live at the Bing Theater; Los Angeles, 1985. Recorded at ...
Seeing Jazz: The Photography of Luciano Rossetti
by Karl Ackermann
As a jazz venue, the mid-town Manhattan club Royal Roost had a short life span. The Royal Roost opened in 1948, but the jazz scene had moved past it less than two years later. In Greenwich Village, twenty-five-year-old photographer Herman Leonard had just opened his first photography studio to the south. A bebop fan, he was ...
Johan Lindström Septett: On The Asylum
by Karl Ackermann
Multi-instrumentalist and composer Johan Lindström issued his 2018 septet debut Music For Empty Halls (Moserobie Music) to global accolades. The unique set was nominated for a Swedish Grammy, an award which Lindström had captured on four previous occasions. The debut was noted for its unhurried and democratic approach to creative ensemble music. On the Asylum, the ...
Cecil Taylor & Tony Oxley: ...Being Astral And All Registers - Power Of Two...
by Karl Ackermann
The late free jazz icon Cecil Taylor was thought to have only recorded two duo albums in his career. One was Embraced (Pablo, 1977) with Mary Lou Williams, the other, Historic Concerts (Soul Note, 1984) with Max Roach. Both were underwhelming mismatches, with Taylor overpowering his partners. In 2020, drummer Tony Oxley found two live Taylor-Oxley ...
Joe Lovano: Garden of Expression
by Karl Ackermann
Joe Lovano's entire recording career has been in the company of jazz greats since his debut with the Paul Motian Quintet in 1985. Lovano's hard bop days seem like a distant memory since his association with ECM began. Garden of Expression is the saxophonist's second project with his Trio Tapestry of pianist Marilyn Crispell, and drummer ...
Benoit Delbecq: The Weight of Light
by Karl Ackermann
Parisian pianist & composer Benoît Delbecq has not recorded a solo album in more than a decade. His collaborations are with impressive company including Tim Berne, Tom Rainey, Lotte Anker, Mark Turner, Steve Argüelles, Gerald Cleaver, Marc Ducret, Gerry Hemingway, Mary Halvorson, Taylor Ho Bynum, and Kris Davis. It is Davis' Pyroclastic Records that Delbecq calls ...
A Different Drummer, Part 1: Mark Lomax II and Mauricio Takara
by Karl Ackermann
The drum is an instrument of power and presence. It is the heartbeat of music but with uncertain origins. In Africa, China, and Turkey, archeologists have found evidence to suggest that any of those regions may have been the forebearers of the beat, of the definitive expression of freedom. Data concludes that instrumental music is at ...
Matthew Shipp / Evan Parker: Leonine Aspects
by Karl Ackermann
Matthew Shipp's duo recordings with saxophonists such as Ivo Perelman and Rob Brown have always been intriguing but his projects with Evan Parker are fascinating in their complexity and openness. The two master improvisers have teamed up twice before, beginning with Abbey Road Duos (Treader, 2007) and recorded several more albums together with the Spring Heel ...
