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13

Article: Interview

Denise King: Making the Tradition New

Read "Denise King: Making the Tradition New" reviewed by Victor L. Schermer

by Victor L. Schermer

Denise King is a Philadelphia vocalist who has made the world her oyster with her unique ability to navigate between rhythm and blues and sultry jazz standards. Discovered in the 1980s by an R&B songwriter-producer, King quickly found her way in the City of Brotherly Love with some of the top musicians in both popular and ...

16

Article: Interview

Dave Burrell: Pianist Navigating the Windward Passages

Read "Dave Burrell: Pianist Navigating the Windward Passages" reviewed by Victor L. Schermer

by Victor L. Schermer

Dave Burrell is a master pianist and composer who encountered the avant-garde in the 1960s and has been following his own independent path ever since. He combines classical and jazz elements that are both “inside" and “outside" the mainstream. The title of a poem by J.V. Cunningham, “The Metaphysical Amorist" characterizes much of his playing, which ...

24

Article: Interview

Don Glanden: Remembering Clifford Brown

Read "Don Glanden: Remembering Clifford Brown" reviewed by Victor L. Schermer

by Victor L. Schermer

Benny Golson's timeless ballad, “I Remember Clifford" is but one measure of the reverence and love with which Clifford Brown was regarded by musicians, friends, family, and fans. The affection in which he was held during his lifetime was made all the more poignant by his untimely death at the peak of his rapidly advancing career. ...

5

Article: Interview

Dwayne Burno: Tradition

Read "Dwayne Burno: Tradition" reviewed by George Colligan

by George Colligan

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Dwayne Burno is one of the great bass players of his generation. Originally from Philadelphia, Burno has been on the New York and international jazz scene since 1990. He has played with so many of the great legends of jazz: Betty ...

26

Article: Extended Analysis

Art Blakey and the Jazz Messengers: Moanin'

Read "Art Blakey and the Jazz Messengers: Moanin'" reviewed by Mike Oppenheim

by Mike Oppenheim

Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...

838

Article: Interview

Bobby Zankel: Peaceful Jazz Warrior

Read "Bobby Zankel: Peaceful Jazz Warrior" reviewed by Victor L. Schermer

by Victor L. Schermer

For many decades, Philadelphia has been home to a cadre of multi-generational jazz musicians who go on year-after-year composing, arranging and performing some of the best, highest level music to be heard anywhere. This tradition is exemplified in no better way than by alto saxophonist, composer and bandleader Bobby Zankel. Zankel apprenticed with legendary ...

932

Article: Interview

Bill Cosby: If You Could Hear It, You'd Smile

Read "Bill Cosby: If You Could Hear It, You'd Smile" reviewed by Victor L. Schermer

by Victor L. Schermer

Bill Cosby is a gentle giant, and not just physically. He is a powerhouse of energy and achievement. He's best known as a standup comedian non pareil. Moreover, his TV shows, such as The Cosby Show, have topped the ratings for many years, and he uses them as a way to promote racial reconciliation and disseminate ...

773

Article: Interview

Eddie Gomez: The Playing is Free

Read "Eddie Gomez: The Playing is Free" reviewed by Donald Elfman

by Donald Elfman

Eddie Gomez is known throughout the world as a consummate bassist, sterling educator and a musician active in a wide variety of musical settings. He has been on the music scene for more than 40 years and has worked with everyone from Bobby Darin to Giuseppi Logan. Gomez moved from Puerto Rico as a child and ...

1,102

Article: Interview

Sam Stephenson: A "Loft-y" Vision of Jazz

Read "Sam Stephenson: A "Loft-y" Vision of Jazz" reviewed by Victor L. Schermer

by Victor L. Schermer

When, in 1997, writer, scholar, and archivist Sam Stephenson serendipitously came across audio tapes, photographs and other documents involving jazz musicians congregating in photographer W. Eugene Smith's Manhattan loft in the late 1950s and early 1960s, he was surprised as anyone. The wall of cartons had been unopened since before Smith's death in 1978. Stephenson and ...

917

Article: Interview

Jymie Merritt: Dedication Personified

Read "Jymie Merritt: Dedication Personified" reviewed by Victor L. Schermer

by Victor L. Schermer

Jymie Merritt came up in Philadelphia during the evolution of bebop and hard bop, when the town was a hotbed of musical activity. Players like John Coltrane, Benny Golson, and Philly Joe Jones were getting started there, and musicians like Charlie Parker, J.J. Johnson, Dizzy Gillespie and Miles Davis would come to the city to perform ...


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