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Josephine Baker
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Josephine Baker is remembered principally as a spirited entertainer, the glamorous "Josephine" who became the toast of France. But there was a great deal more to Josephine Baker. She was a great lover of life and of humanity, who devoted herself to making the world a more hospitable place and to securing a better future for its citizens. She was the role model for entertainers to stand up for their beliefs, and became a legend in the process. A dancer, jazz singer, actress and a comedian all in one, Josephine Baker was the first black female entertainer to break through racial prejudice in Europe and the United States
Bangkok After Dark: Maurice Rocco, Transnational Nightlife, and the Making of Cold War Intimacies
by Katchie Cartwright
Bangkok After Dark: Maurice Rocco, Transnational Nightlife, and the Making of Cold War Intimacies Benjamin Tausig 264 Pages ISBN: 978-1-4780-3170-3 Duke University Press 2025 You may have seen pianist-singer and entertainer Maurice Rocco in Incendiary Blonde (Paramount, 1945), the rags-to-riches story of Texas Guinan, the Waco-born daughter ...
Take Five with vocalist Diana Hamilton
by AAJ Staff
Meet vocalist Diana Hamilton I'm an instinctive artist--meaning, I didn't choose to be a singer. Singing chose me. It began during a moment of deep torment when my three-year-old son, Nairobi, was subjected to racism at a daycare in France. I had never experienced such cruelty growing up as a Black child in the Bahamas. I ...
Eliot King Smith Teams Up With Audrey Martells (Chic) To Bring To Life The Story Of Josephine Baker
In the 1920s, faced with the grinding poverty and segregation of East St. Louis, Josephine Baker took her dancing and musical talents first to New York, and then, at 19, arrived in Paris to perform with the Folies Bergère. Entranced by her reception and treatment by French society, she rose to stardom almost immediately at the ...
Queer Blues: The Hidden Figures Of Early Blues Music
by Ian Patterson
Queer Blues: The Hidden Figures Of Early Blues Music Darryl W. Bullock 352 Pages ISBN: 978-1-9131-7252-7 Omnibus Press 2023 The blues is ripe with legends and myths, not least the oft-touted claim that W.C. Handy was the father of the blues. But as Darryl. W. Bullock tells it, there ...
A Life In Music
by Wulf Muller
The following is an excerpt from the Chapter “1996," from Wulf Müllers illustrated chronicle A Life In Music (Amazon Direct Publishing, 2022) Dee Dee Bridgewater performed three sold out nights at the glamorous and legendary Paris venue L'Olympia, with new signing to Verve France, singer Jeffery Smith, opening for her. Dee Dee's show ...
Banding Together Against Segregation in Los Angeles
by Eve Goldberg
Once upon a time, jazz musicians in Los Angeles led a groundbreaking struggle for racial justice and economic opportunity that sent ripples of change across the country. Most of us are aware of the seminal names and events of the civil rights era: Rosa Parks spearheading the Montgomery bus boycott; Martin Luther King leading ...
That Slow Boat to China: How American Jazz Steamed Into Asia
by Arthur R George
A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...
Take Five with K Quintet
by AAJ Staff
Meet K Quintet K Quintet is led by world-renowned Russian dancer Ksenia Parkhatskaya on vocals and Irish musician-composer David Duffy on bass. Citing influences such as Oscar Peterson, Red Garland, and Ben Webster, standards by the likes of Duke Ellington, Richard Rodgers & Henry Mancini are subtly mixed with original 'classic' compositions, written by ...
Culture Clubs: Part IV: When Jazz Met Europe
by Karl Ackermann
The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...
