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Article: Album Review

The Art Ensemble of Chicago: We Are on the Edge: A 50th Anniversary Celebration

Read "We Are on the Edge: A 50th Anniversary Celebration" reviewed by Giuseppe Segala


Quanta storia. Nel 1969 Roscoe Mitchell, Joseph Jarman e il più riluttante Malachi Favors, spinti dalla lungimiranza avventurosa di Lester Bowie, si trasferirono a Parigi, accolti dalla comunità degli artisti e degli appassionati con grande attenzione. Tra questi, c'era il batterista e promotore parigino Claude Delcloo, particolarmente attivo e in contatto fin dal 1968 con l'AACM ...

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Article: In Pictures

New York's 24th Annual Vision Festival

Read "New York's 24th Annual Vision Festival" reviewed by Frank Rubolino


Although Europe has a plethora of creative improvised music festivals throughout the year, drawing on a large audience base of appreciative fans, one festival in the USA stands out as the beacon of hope and encouragement for this music in its native land. Now in its 24th year, New York's Vision Festival, presented by Arts for ...

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Article: Album Review

The Art Ensemble of Chicago: We Are On The Edge: A 50th Anniversary Celebration

Read "We Are On The Edge: A 50th Anniversary Celebration" reviewed by Karl Ackermann


Bassist Malachi Favors, trumpeter Lester Bowie and saxophonist Joseph Jarman have all passed on, leaving the Art Ensemble of Chicago's remaining original members, saxophonist Roscoe Mitchell and drummer Famoudou Don Moye, to rebuild. We Are on the Edge is a double-CD package; it is a fifty-year celebration of the group, and a dedication to the departed ...

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Article: Album Review

The Art Ensemble of Chicago: We Are On The Edge: A 50th Anniversary Celebration

Read "We Are On The Edge: A 50th Anniversary Celebration" reviewed by Mark Corroto


Seventy plus recordings and fifty years since the inception of The Art Ensemble Of Chicago. I mean the Roscoe Mitchell Art Ensemble, its original name. Born of Chicago's Association for the Advancement of Creative Musicians (AACM), the band sojourned to Paris and soon changed its name to The Art Ensemble Of Chicago to reflect the corroborative ...

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Article: Radio & Podcasts

Mark Lomax, Rosetta Trio & Federica Michisanti

Read "Mark Lomax, Rosetta Trio & Federica Michisanti" reviewed by Maurice Hogue


February is Black History Month and this episode features some music recognizing that fact. Drummer and musicologist Mark Lomax 's 400: An Afrikan Epic is a monumental 12-album cycle honoring the 400th Anniversary of the Transatlantic Slave Trade. He used the music he grew up with--spirituals and blues--as source material, and despite criticism and resistance from ...

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Article: Profile

Henry Threadgill: la sintesi e gli specchi

Read "Henry Threadgill: la sintesi e gli specchi" reviewed by Giuseppe Segala


Il settembre 2017 è stato per Henry Threadgill un mese di intensa vendemmia discografica: nel giro di pochi giorni, dal 24 al 27, il compositore e polistrumentista è entrato nello studio Water Music, New Jersey, con due formazioni diverse ma per molti versi complementari, e una bella mole di materiale. Uno dei due organici, denominato Double ...

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Article: Live Review

Edgefest 2018: The Chicago Connection

Read "Edgefest 2018: The Chicago Connection" reviewed by Troy Dostert


Edgefest Ann Arbor, MI October 17-20, 2018 This year, Ann Arbor, Michigan's Edgefest Festival turned to Chicago for inspiration. An astonishing array of talented musicians, most with roots in Chicago's storied past or its vibrant present, made appearances at the Kerrytown Concert House for four days of exceptional music that could generally ...

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Article: Under the Radar

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago" reviewed by Karl Ackermann


Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...

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Article: Album Review

Lou Grassi: Port Of Call

Read "Port Of Call" reviewed by John Sharpe


German pianist Klaus Treuheit and American drummer Lou Grassi present a further instalment of an irregular collaboration on the limited edition LP Port Of Call. Treuheit may not be familiar to many outside his homeland, but he maintains an active schedule based around European radio stations and has contributed film music for the likes of Finnish ...

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Article: Album Review

Paul Rutherford: The Conscience

Read "The Conscience" reviewed by John Sharpe


Recorded in 1999, but previously unissued, The Conscience unites iconoclastic English trombonist Paul Rutherford and Japanese drummer Sabu Toyozumi. It constitutes the first in a series of ten or so sessions from the Japanese Chap Chap label to be released by the Lithuanian NoBusiness imprint through to 2018. Both men were among the first generation of ...


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