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Montreal Jazz Festival, Days 4-6, July 2-4, 2011
by John Kelman
Days 1-3 | Days 4-6 Festival International de Jazz de Montréal Montréal, Canada June 25-July 4, 2011 Montréal is a city in transition, and in a move that's absolutely uncharacteristic of other Canadian cities, is planning a downtown renovation driven, in no small part, by the arts. Place des ...
Take Five with Simon Little
by AAJ Staff
Meet Simon Little: I'm a session bassist living in London. I was born in London and started learning the double bass at school in Dorset with Barry Glynn. I went on to study at The Guildhall School of Music & Drama in London (1999-2003) receiving tuition from Kevin Rundell, Jeff Clyne and ...
Gretchen Parlato: Quiet Revolutionary
by Ian Patterson
It's safe to say that singer Gretchen Parlato has her admirers. The Boston Globe praised her as “the most original jazz singer in a generation," and pianist Herbie Hancock has described her connection to music as “almost magical." Saxophonist Wayne Shorter has likened her art to that of Frank Sinatra. It's hard to remember the last ...
Larry Goldings: In My Room
by Dan Bilawsky
Sentimentality gets a raw deal in the eyes of many a jazz fan and journalist. Somewhere along the line, a lot of artists began indulging in overwrought expressions of emotion in an effort to artificially enhance their work with a sense of depth that might not truly exist, but that shouldn't taint the very idea of ...
Herbie Hancock: Bangkok, Thailand, May 8, 2011
by Ian Patterson
Herbie HancockRoyal Paragon HallBangkok, ThailandMay 8, 2011Herbie Hancock is--like the title of one of his most celebrated tunes--a chameleon, and the audience at a near-packed Royal Paragon Hall was reminded of just how many changes Hancock has stylishly wrung over the last fifty years. There were touches of his more impressionistic ...
Jazzahead 2011: April 28 - May 1, 2011
by John Kelman
Jazzahead Bremen, Germany April 28-May 1, 2010 Jazz may be a marginalized genre with shrinking CD sales and, at least in North America, a painfully low profile in popular media, but just a few days at Jazzahead in Bremen, Germany, leave a much different impression. A trade show for all ...
Don Sebesky: Giant Box
by Dan Bilawsky
It's a bit bizarre to find an album called Giant Box in a small cardboard case, or as a download lacking physical form, but times change. When Don Sebesky's grand musical statement on CTI hit the marketplace in 1973, it came in a classical-type record box, befitting the stature of the music. Opinions ...
Bill Anschell: Figments
by C. Michael Bailey
Bill Anschell is a lot of things. He is house pianist and mainstay at Origin Arts, showing up on a wide range of projects. He also contributes to this publication, writing with grace on craft of jazz. But, late at night, he is a musical James Joyce, spinning musical thread off the top of his head. ...
Bill Anschell: Figments
by Dan McClenaghan
Pianist Bill Anschell normally involves himself in projects that shine with a high polish, recordings like the Wellstone Conspiracy's collaborative Motives (Origin, 2010) and his own More to the Ear than Meets the Eye (Origin, 2006), or in the sideman slot on the marvelous Reunion, led by saxophonists Pete Christlieb and Hadley Caliman. In addition, Anschell ...
Take Five With Mike Rood
by AAJ Staff
Meet Mike Rood:Born into a musical family, Mike has always been immersed in music. He has been playing guitar since he was seven, and his early influences include Stevie Ray Vaughan and Jimi Hendrix. Mike also studied classical piano for 13 years, performing in dozens of recitals and competitions. He won the Nicolas Flagello ...
