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Jon Rose

1

Article: Album Review

Veryan Weston: Discoveries on Tracker Action Organs

Read "Discoveries on Tracker Action Organs" reviewed by John Eyles


This new solo album from keyboardist Veryan Weston was recorded in May 2014 on tracker action organs in seven churches located around England. The recordings here document some of the preparatory research that Weston did ahead of a tour of churches with tracker action organs. That tour involved Weston plus violinist Jon Rose and cellist Hannah ...

2

Article: Album Review

Veryan Weston / Jon Rose / Hannah Marshall: Tuning Out

Read "Tuning Out" reviewed by John Eyles


There is a very interesting project awaiting some lucky (and patient) individual, researching the role that churches played in the spread of improvised music in Britain. To clear up any ambiguity, that “churches" refers to the buildings themselves rather than their human members. Any devotee of improvised music in Britain will probably have spent far more ...

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Article: Lyrics

Save the Date - Aprile 2014

Read "Save the Date - Aprile 2014" reviewed by Luca Canini


Come promesso il mese scorso, diventa fisso l'appuntamento con “Save the Date." Riparte il viaggio su e giù per lo Stivale a caccia delle migliori proposte, dei migliori festival, delle iniziative più stuzzicanti. Una guida tascabile compilata seguendo solo e soltanto l'ispirazione e le tracce della musica che piace (a noi). 2 Aprile--Piacenza: ...

Album

Colophony

Label: Shanachie
Released: 2013

Album

Rosin

Label: Shanachie
Released: 2012

Album

Tunings & Tunes

Label: Shanachie
Released: 2010

Album

Artery

Label: The NOW now
Released: 2006
Track listing: The Superior Mesenteric; The Great Gonadal; The Elastic Lamina; The Ascending Aorta; The Feeding Lumbar; The Upper Suprarenal.

178

Article: Album Review

Jon Rose / Chris Abrahams / Clayton Thomas: Artery

Read "Artery" reviewed by Glenn Astarita


Australian violinist and forward-minded improviser Jon Rose is the primary voice on this cleverly devised gala featuring his bandmates' oddball instrumentation, like the use by keyboardist Chris Abrahams (of the minimalist jazz-rock unit the Necks) of a harpsichord, forte piano and “positive organ to round out his partners' odd implementations. This music is energetic, bizarre and ...


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