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2020: The Year in Jazz
by Ken Franckling
The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...
Charlie Parker: In Praise of Bird on His 100th Birthday!
by Victor L. Schermer
A hundred years ago, on August 29, 1920, soon after jazz was born, Charlie Parker came into this world, and in the 35 years of a life cut short by addictions and impulse-driven living, he changed the face of the music. His innovations as one of the creators of bebop and his stunning sound and virtuosic ...
Videos: Three Ellington Reeds
Duke Ellington was a tonal impressionist. Each musician in his band had two functions—to be able to play and to have a special sound. Taken as a whole, his orchestral pieces were like canvases, with different hues layered on top of each other. Here are three of Ellington's top saxophonists on solo showcases, providing an opportunity ...
Paul Gonsalves @ 100 And More July Birthdays
by Marc Cohn
Time to celebrate July birthdays! Among the living, David Sanborn @ 75, pianist Mark Soskin, trumpeter Theo Croker, Kenny Burrell and Ahmad Jamal @ 90! We celebrate the saxophonists: Paul Gonsalves @ 100 and Hank Mobley @ 90. Along the way, birthday salutes to Philly Joe Jones, Lee Morgan, Charlie Christian, pianist Billy Taylor and Johnny ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Kansas Smitty's: Things Happened Here
by Chris May
Kansas Smitty's is the house band at a London jazz bar of the same name. Band and bar are fronted by the American-Italian alto saxophonist, clarinetist and bass clarinetist Giacomo Smith, who with guitarist David Archer wrote most of the material on this album. The band's style embraces swing era Kansas City through to more recent ...
Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums
by Chris May
Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...
Dave Glasser: Hypocrisy Democracy
by Dan Bilawsky
Something of a socio-political scythe--a title and tool cutting straight into the failing system that surrounds us--Hypocrisy Democracy is also a broad statement detailing the ceaselessly looping fallibility of man and his actions. It's saxophonist Dave Glasser's most probing work to date, bound to both our present state of affairs and the history it mirrors, and ...
Jazzmeia, Newk, Bird, Dave & More
by Marc Cohn
Showtime, don't ya know? Jazzmeia Horn was scheduled to perform in Baton Rouge recently, but the gig got 'coronaed.' So, we do a mini-concert here, and hope she can reschedule when this plague dissipates. Shoot, they even cancelled the St. Patrick's Day parade here; so you know this is serious business. We also continue centennial celebrations ...
About Johnny Hodges
Results for pages tagged "Johnny Hodges"...
Johnny Hodges
Born:
"Never the world's most highly animated showman orgreatest stage personality, but a tone so beautiful itsometimes brought tears to the eyes, this was JohnnyHodges. Because of this great loss, our band will never sound the same. Johnny Hodges sometimes sounded beautiful, sometimes romantic, and sometimes peoplespoke of his tone as being sensuous. With the exception of a year or so, almost his entire career was with us. So faras our wonderful listening audience was concerned, therewas a great feeling of expectancy when they looked up andsaw Johnny Hodges sitting in the middle of the saxophonesection, in the front row.I am glad and thankful that I had the privilege of presenting ohnny Hodges for forty years, night after night. I imagine I have been much envied, but thanks to God...” Duke Ellington eulogy.
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