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Ahleuchatistas: Of The Body Prone
by Mark Corroto
Tzadik label chief John Zorn has never lost his passion for hardcore music. Although his band Naked City is no more, he continues to promote artists who, to quote Allen Ginsberg are, “destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix." The band Ahleuchatistas certainly does ...
Agustí Fernández: saber escuchar
by Guillem Vidal
Agustí Fernández (Palma de Mallorca, 1954) comparece puntualmente a su cita con All About Jazz en una mesa del bar del Auditori de Barcelona contigua a la que ocupa en ese momento Horacio Fumero, el contrabajista de Tete Montoliu. Estamos entre el edificio donde el pianista imparte clases de improvisación en jazz y música contemporánea ("el ...
Ahleuchatistas: Of The Body Prone
by Mark Corroto
Tzadik label chief John Zorn has never lost his passion for hard-core music. Although his band Naked City is no more, he continues to promote artists who, to quote Allen Ginsberg, are “destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix." The band Ahleuchatistas certainly does know ...
Clean Feed Records: Eat the Plate
by Mark Corroto
Clean Feed records, founded in 2001, has been the most prolific and adventurous label for jazz this new century. Based in Lisbon, Portugal their offerings have included many of jazz's old guard including reed players Evan Parker, Paul Dunmall, Charles Gayle, Vinny Golia and Anthony Braxton and trumpeters Dennis Gonzalez and Herb Robertson, along with current ...
Joan A. Cararach: el 'maestro' de Barcelona
by Joao Moreira dos Santos
Fundado por Joan Roselló en 1966, el Festival de Jazz de Barcelona ha ido renovándose y evolucionando con múltiples avatares desde entonces, pero la edición de este año es verdaderamente especial. No sólo desafía la crisis económica, presentando más conciertos que nunca (60 en casi dos meses), sino que además, por primera vez, se clausura en ...
Eyal Maoz's Edom: Hope and Destruction
by Eyal Hareuveni
The second release of New York-based Israeli guitarist Eyal Maoz alt-klezmer quartet Edom is a schizophrenic one. On one hand, Maoz faithfully follows Tzadik founder John Zorn's hybridized post-modern pastiche of klezmer and Jewish musical traditions, and musical references that are typical of the label's Radical Jewish Culture series. This is most audible in the manner ...
Cyro Baptista's Banquet of the Spirits: Infinito
by Joel Roberts
Multi-talented percussionist Cyro Baptista may have the most dazzlingly eclectic resumé in contemporary music. He's performed and recorded with mainstream jazzers like Herbie Hancock and Wynton Marsalis; downtown experimentalists like John Zorn and Laurie Anderson; pop icons like Sting and Paul Simon and major Brazilian stars like Milton Nascimento and Ivan Lins. And he may be ...
Jazz Middelheim 2009
by Martin Longley
Jazz Middelheim 2009Park Den BrandtAntwerpenBelgium The Jazz Middelheim festival is nearing its fortieth anniversary, but it's a weekender that hasn't relinquished a fondness for adventure. Nuzzling up against its stellar bookings are acts, Belgian and otherwise, who seek to jolt the expectations of many audience members. The entertaining middle way ...
Sainkho Namchylak / Dickson Dee: Tea Opera
by Glenn Astarita
Dickson Dee (Li Chin Sung) is an enterprising artist and businessman, responsible for opening up many doors via Independent label distribution and various production efforts for artists in China, Hong Kong and Taiwan. He's embedded his wares into a global setting, while also recording for John Zorn's Tzadik label on his 1996 solo debut, PAST. An ...
Ornette Coleman: Music is a Verb
by Warren Allen
"Some people think of music as being on some higher level," Ornette Coleman says by phone from his apartment in New York City. “But basically it's the human being that receives the pleasure from sound. Not from the argument over what it is." There are a lot of questions about Ornette Coleman and ...
