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Ed Cherry: It's All Good
by Dan Bilawsky
Guitarist Ed Cherry is best known for his lengthy, decade-plus tenure with trumpet titan Dizzy Gillespie, but his work with another heavyweight of a different ilk--organist Big John Patton--is a more obvious influence on It's All Good. Cherry played the important role of Patton's guitar-playing foil during some of the legend's '90s comeback sessions and he ...
RDV De L'Erdre 2012
by Martin Longley
RDV De L'Erdre 2012 Nantes, France August 31-September 2, 2012 The Rendez-vous de l'Erdre might be one of Europe's lesser-known festivals, but it has grown up over 26 years and now involves what seems to be the entire city's populace. Spread over multiple, simultaneously programmed stages, its essential ...
Bill Frisell: Helsinki, Finland, August 29, 2012
by Anthony Shaw
Bill FrisellHelsinki FestivalHelsinki, FInlandAugust 29, 2012 It's hard to find a summer festival that is not critically dependent on the weather for that essential vibe. As such, August's Helsinki Festival stands as good a chance as any for success, with the main stage located a half-mile from the central station ...
Jazz Middelheim: Antwerp, Belgium, August 16-19, 2012
by Martin Longley
Jazz Middelheim 2012 Park Den Brandt Antwerp Belgium August 16-19, 2012 The Jazz Middelheim festival is a weekender that hasn't relinquished its fondness for adventure over the last four decades. Nuzzling up against stellar bookings are acts, Belgian and otherwise, who seek to jolt the expectations ...
Jazz Musician of the Day: John Zorn
All About Jazz is celebrating John Zorn's birthday today! John Zorn (born September 2, 1953 in NYC, USA) is a Jewish American composer and saxophonist/multi-instrumentalist. As a child, Zorn played piano, guitar and flute. He studied at Webster College (now Webster University) in St. Louis, Missouri, where he discovered free jazz. Dropping out of college and ...
Fish in Oil: Poluostrvo
by Nenad Georgievski
With the release of Fish in the Oil's debut, Polustrvo, the jazz underground in Belgrade, Serbia climbs closer towards daylight. This eclectic album explores several forms, all at once, as it eschews the easily identifiable and standard structured sounds. It seems Fish in Oil has opted for a multilayered approach, as it uses different sounds, rhythms, ...
The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Louis Sclavis: Maps of the Mind
by Ian Patterson
"My music? I know what it is, and I don't know what it is. It's a paradox." Now entering his fifth decade as a recording artist, multi-reedist/composer Louis Sclavis may not have a clear handle on the music he makes, but he has absorbed the lessons of all the music he has turned his hand to, ...
Marco Cappelli: The American Dream
by Mark Corroto
Things get lost in translation. It's inevitable, and it's not just words and meaning. Cultural things morph. Take a Venetian or Roman to an Olive Garden restaurant in America and she won't recognize much on the menu, or send an American to Puglia with the task of finding a pizza pocket. Some things just don't translate.
Chemical Clock: Chemical Clock
by Dave Wayne
Yet another band arising from Seattle's embarrassment of avant-jazz riches, Chemical Clock is an aggressive and determined young band with a lot of good ideas and more than enough chops to pull them off. Led by keyboardist and composer Cameron Sharif, the quartet's self-titled debut CD EP is a brief and refreshing blast of post- everything ...
