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Torben Snekkestad: Winds Of Mouth
by Mark Corroto
The Homo sapien caveman picked up a goat's horn and blew some notes through it to entertain the Neanderthals, who had somehow, not paid the cover charge for the spring solstice show. No worries he thought, they'll soon be extinct, and I've just invented music. What the Neanderthals were fascinated with, was, just how ...
Krakauer's Ancestral Groove: Checkpoint
by Dan Bilawsky
Clarinetist David Krakauer has been exploring his Eastern European Jewish background through music for the past quarter century. He's managed to touch on his roots in varied ways during that time, tapping into Jewish history with some help from the Kronos Quartet on The Dreams And Prayers Of Isaac The Blind (Nonesuch, 1997), finding common ground ...
Musicians, Music Fans -- Join Us At A Free Screening Of The New Thomas Chapin Film
A First Look at THOMAS CHAPIN, NIGHT BIRD SONG A New Music Film ABOUT THE FREE SCREENING New York FREE Screening, SVA Theatre, on Sunday, March 13- 333 West 23 Street, NY, NY 10010. Doors open at 1 p.m.; the film begins 1:30 p.m. RSVPs required here THE FILM Destined to be among the great virtuosos ...
Sabina Meyer: Dare voce all'invisibile
by Angelo Leonardi
Dare voce all'invisibile -Indagine sull'ineffabile in musica Sabina Meyer 172 Pages Scienze e Lettere Questo studio ci ricorda uno dei dialoghi di Platone, il Cratilo. In quel testo Socrate si domanda se il nome costituisca un attributo naturale delle cose o se sia imposto ad esse arbitrariamente dagli uomini. La ...
Brända broar: Röjer På Vinden
by Dave Wayne
After gigging around their native Sweden for a few years, Brända Broar (Burnt Bridges) have finally issued their first album, Röjer På Vinden on Anders Ahlén's tiny Signal and Sound label. An EP-length vinyl-only audiophile quality 45-rpm album limited to 300 copies, Röjer På Vinden (literally Delays in the Attic") is another powerful musical statement from ...
Uno sguardo alla chitarra nel jazz contemporaneo
by Mario Calvitti
La chitarra è ormai da decenni uno degli strumenti più popolari e diffusi nel jazz; tanti sono stati, e sono tuttora, gli interpreti di questo strumento, protagonisti di un suo progressivo affrancamento dalle iniziali convenzioni per arrivare a renderlo sempre più libero e trasversale, al servizio di una maggiore e completa espressività del musicista che lo ...
Myra Melford + Ben Goldberg: Dialogue
by Mark F. Turner
In their first duo release Dialogue avant-garde jazz pianist Myra Melford and clarinetist Ben Goldberg's two instruments move in tandem yet independently, complimenting one another while exhibiting distinct qualities. At the forefront of open-minded music, the two have worked together in other ensembles yet performed sporadically as a duo since 2008. A 2013 Guggenheim Fellow, Melford ...
Ches Smith with Craig Taborn and Mat Maneri: The Bell
by Karl Ackermann
Despite appearing on at least fifty recordings since 2001, Ches Smith remains the more under-recognized, yet highly in-demand, member of this newly formed trio. The drummer/percussionist and vibraphonist for Tim Berne's Snakeoil, Smith has played with John Zorn on Voices in the Wilderness (Tzadik, 2003), as well as Wadada Leo Smith, and guitarists Fred Frith and ...
Jazzy Christmas - Creole Christmas
by Angelo Leonardi
I canti natalizi si sono trasformati nel tempo da inni prettamente religiosi, derivati da laudi o ninne-nanne in onore a Gesù bambino, a pop song strutturate sul modello Tin Pan Alley, che celebrano il Natale in un'ottica secolarizzata, mantenendo i valori di amore e fratellanza. La relazione tra jazz e canti di ...
The Spike Orchestra: Cerberus (Book of Angels - Volume 26)
by Phil Barnes
Taking inspiration from the divine is a tough sell. Get it wrong and it can appear sacrilegious or insulting to the faithful; too devout and our largely secular society turns away. In the past the poet William Blake was famously beaten by his own mother when he claimed to have had angelic visions at the age ...


