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Aram Bajakian: Music Inspired by the Color of Pomegranates
by Neri Pollastri
Aram Bajakian è un chitarrista assai eclettico, già accompagnatore di Lou Reed nei suoi ultimi tour, poi con Diana Krall, ma allo stesso tempo membro del gruppo Abraxas, due album con la Tzadik di John Zorn, e collabora con Marc Ribot e Yusef Lateef, Mat Maneri e Frank London, Nels Cline e lo stesso Zorn. Bajakian ...
Otomo Yoshihide Special Big Band: Live At Shinjuku Pit Inn
by Nicola Negri
Is it possible to maintain impeccable avant-garde credentials and be a popular culture phenomenon? This is the case with Otomo Yoshihide, a central figure in the Tokyo improv community, known internationally since the late '90s thanks to his participation in the downtown New York scene alongside John Zorn and many others. The Japanese guitarist and turntablist ...
Calato: Swong
by Mark Corroto
There is a word, “earworm" or sometimes the term “brainworm" is used to describe the phenomena of getting a song stuck in your head. One that repeats, and repeats and repeats itself. Usually, it is a saccharin pop song with a hook. Strange, then, to catch an earworm from the songs played by the Argentinian free ...
Joe Morris: Shock Axis
by Mark Corroto
I am applying for a NEA grant to test my theory that you can judge an album by it's cover. For instance, The Rolling Stones' Exile on Main St (RSR, 1972) and The Clash's London Calling (CBS, 1979) are two albums where you just knew what to expect by gazing at the covers. In the jazz ...
Les Rhinoceros: Les Rhincéros III
by Tyran Grillo
Les Rhinocéros is one of the most engaging anomalies to come out of underground legend John Zorn's forever expanding circle in a long time. The trio of Michael Coltun (basses, electronics, and anything else he can get his hands on), Amit Peled (guitars, ditto), and Jonathan Burrier (drums & percussion) has been destroying and artfully rebuilding ...
Cortex: Live in New York
by Mark Corroto
Do you remember when you first heard Ornette Coleman's The Shape Of Jazz To Come (Atlantic, 1959)? It could have been fifty years ago or five, but its life force remains. Its music was/is nearly impossible to ignore. The same can be said of the Norwegian quartet Cortex's Live In New York. It sizzles with a ...
Krakauer's Ancestral Groove: Checkpoint
by Chris M. Slawecki
Clarinet master David Krakauer was born in raised in New York City. As he spread his considerable chops throughout NYC's classical, electronica and jazz scenes, he became known as a Klezmer specialist but just as often appeared as a soloist or member of various symphony orchestras, string quartets and chamber ensembles alongside a head-shaking variety of ...
The Inner Spectrum of Variables
by AAJ Staff
Ok, proviamoci. Proviamo a parlare di questo disco uscendo dalle convenzioni che di solito si adottano quando ci si pone di fronte a un percorso musicale come quello di Tyshawn Sorey. Sorey non dovrebbe avere bisogno di troppe presentazioni. Oddio, magari in un'Italia del jazz mediamente poco curiosa di quello che sta oltre ...
Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo
by Chris M. Slawecki
Brian Andres & the Afro-Cuban Jazz Cartel This Could Be That Self-Produced 2016 This Could Be That celebrates the first decade of Brian Andres & his Afro-Cuban Jazz Cartel, which came together in 2007 in and around the San Francisco Bay Area's Latin jazz hothouse. Music is ...
Hal Willner, Ex Eye, Bill Laswell, Zion 80 & Brandon Seabrook
by Martin Longley
Hal Willner The Stone June 14, 15, 17, 2016 Hal Willner spent six nights in residence at The Stone, presenting two sets each evening. This Philadelphian producer has immaculate taste, as illustrated by his greatest achievements: a series of conceptual albums that feature a host of carefully selected artists, assigned ...
