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Joe Morris: Shock Axis
by Mark Corroto
I am applying for a NEA grant to test my theory that you can judge an album by it's cover. For instance, The Rolling Stones' Exile on Main St (RSR, 1972) and The Clash's London Calling (CBS, 1979) are two albums where you just knew what to expect by gazing at the covers. In the jazz ...
Les Rhinoceros: Les Rhincéros III
by Tyran Grillo
Les Rhinocéros is one of the most engaging anomalies to come out of underground legend John Zorn's forever expanding circle in a long time. The trio of Michael Coltun (basses, electronics, and anything else he can get his hands on), Amit Peled (guitars, ditto), and Jonathan Burrier (drums & percussion) has been destroying and artfully rebuilding ...
Cortex: Live in New York
by Mark Corroto
Do you remember when you first heard Ornette Coleman's The Shape Of Jazz To Come (Atlantic, 1959)? It could have been fifty years ago or five, but its life force remains. Its music was/is nearly impossible to ignore. The same can be said of the Norwegian quartet Cortex's Live In New York. It sizzles with a ...
Krakauer's Ancestral Groove: Checkpoint
by Chris M. Slawecki
Clarinet master David Krakauer was born in raised in New York City. As he spread his considerable chops throughout NYC's classical, electronica and jazz scenes, he became known as a Klezmer specialist but just as often appeared as a soloist or member of various symphony orchestras, string quartets and chamber ensembles alongside a head-shaking variety of ...
The Inner Spectrum of Variables
by Enrico Bettinello
Ok, proviamoci. Proviamo a parlare di questo disco uscendo dalle convenzioni che di solito si adottano quando ci si pone di fronte a un percorso musicale come quello di Tyshawn Sorey. Sorey non dovrebbe avere bisogno di troppe presentazioni. Oddio, magari in un'Italia del jazz mediamente poco curiosa di quello che sta oltre ...
Artistry in Rhythm: Afro-Cuban Epiphany to Haitian Voodoo
by Chris M. Slawecki
Brian Andres & the Afro-Cuban Jazz Cartel This Could Be That Self-Produced 2016 This Could Be That celebrates the first decade of Brian Andres & his Afro-Cuban Jazz Cartel, which came together in 2007 in and around the San Francisco Bay Area's Latin jazz hothouse. Music is ...
Hal Willner, Ex Eye, Bill Laswell, Zion 80 & Brandon Seabrook
by Martin Longley
Hal Willner The Stone June 14, 15, 17, 2016 Hal Willner spent six nights in residence at The Stone, presenting two sets each evening. This Philadelphian producer has immaculate taste, as illustrated by his greatest achievements: a series of conceptual albums that feature a host of carefully selected artists, assigned ...
Mats Gustafsson: MG50 Peace & Fire
by Mark Corroto
Mats Gustafsson at fifty. Name another artist who has had this significant and widespread effect on jazz, noise, free improvisation, alternative rock, electronica, and free jazz. Besides John Zorn, that pool is quite shallow. Gustafsson's music seems to attract innovative players into imaginative situations. If you are a fan, this 50th birthday celebration recorded in October, ...
Yelena Eckemoff Quartet: Leaving Everything Behind
by Dave Wayne
With all of the worldwide hue and cry concerning immigration, precious little is said about the lives of immigrants themselves, the sacrifices they've made and the risks they've taken in order to start their lives anew; free of whatever hardships and oppression they endured in their native country. In the news, entire lives are boiled down ...
TD Ottawa Jazz Festival 2016
by John Kelman
TD Ottawa Jazz Festival Ottawa, Canada June 22 -July 3, 2016 It's hard to believe, with seasons that move quickly from spring into summer, that it was time, once again, for the TD Ottawa Jazz Festival. Now in its 36th year, the festival has grown from a weekend event into a full-blown, ...




