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1,385

Article: Interview

Gwilym Simcock: It's All Just Music

Read "Gwilym Simcock: It's All Just Music" reviewed by Ian Patterson


Pianist/composer Gwilym Simcock has achieved a lot in a short time. His debut album as leader, Perception (Basho, 2007) was roundly praised as heralding the arrival of a significant new talent. Prior to that Simcock had captured attention for lighting up Bill Bruford's Earthworks, Tim Garland's Lighthouse Trio and Malcolm Creese's ...

Album

Phases

Label: CAM Jazz
Released: 2009
Track listing: Spring; Fedora; Ritual; Summer; For Carol; Frolics; Autumn; Foil; Eulogy; Prelude N. 3; Winter; Duetto.

1,274

Article: Extended Analysis

David Sylvian: Manafon

Read "David Sylvian: Manafon" reviewed by John Kelman


David Sylvian Manafon samadhisound 2009 Since first emerging as the lead singer of 1980s synth pop group Japan, singer/multi-instrumentalist David Sylvian has turned, in many ways most surprisingly, into one of pop music's most intrepid explorers. As early as his first solo album, the crooner with a distinctive and intentioned vibrato ...

508

Article: Album Review

Gwilym Simcock: Blues Vignette

Read "Blues Vignette" reviewed by John Kelman


Around long enough that the phrase “coming late to jazz" is no longer relevant, pianist Gwilym Simcock's star has been rapidly rising on the British scene for the past seven years, as he continues to mine the nexus of a classical upbringing with his more recent “conversion" to jazz. All too often, young artists release albums ...

326

Article: Album Review

Gary Peacock / Marc Copland: Insight

Read "Insight" reviewed by Martin Gladu


Chiefly known as pianist Keith Jarrett's choice bassist, Gary Peacock has nevertheless continually invested himself in a myriad of projects not involving his once marathoning employer. One such endeavor is this duet recording with pianist Marc Copland. Taped during his stint with Copland's New York Trio in May 2005 and October 2007, Insight captures the moodier, ...

1,304

Article: Live Review

ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009

Read "ECM at 40: Enjoy Jazz Festival: Days 3-6, October 22-25, 2009" reviewed by John Kelman


Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 ECM at 40. It's hard to believe that a record label responsible for stretching the boundaries of modern music has survived the various crises that have threatened and, in some cases, decimated so many others. With Enjoy Jazz's “The Blue Sound: 40 Years ...

418

Article: Album Review

John Surman / Howard Moody: Rain On The Window

Read "Rain On The Window" reviewed by John Kelman


With John Surman's Brewster's Rooster (ECM, 2009) refocusing attention on the British saxophonist/bass clarinetist's jazzier proclivities, it's a good time to assess Rain On The Window--not yet out in North America, but available in Europe since the spring of 2008. A duet recording that picks up, to some extent, where Proverbs and Songs (ECM, 1997) left ...

1,320

Article: Interview

John Surman: From Boy Choirs to Big Horns

Read "John Surman: From Boy Choirs to Big Horns" reviewed by John Kelman


It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...

569

Article: Take Five With...

Take Five With Jake Hanlon

Read "Take Five With Jake Hanlon" reviewed by AAJ Staff


Meet Jake Hanlon: Performer, composer and educator, Jake Hanlon currently resides in Antigonish Nova Scotia, a Professor of Music at Saint Francis Xavier University. A native of Nova Scotia Canada, Hanlon has had the opportunity to work some of the brightest and talented students and teachers in the world. In 2003 he graduated with Honors from ...

566

Article: Album Review

John Surman: Brewster's Rooster

Read "Brewster's Rooster" reviewed by John Kelman


After a string of more jazz-centric ECM releases--1992's relatively free Adventure Playground, the large ensemble of 1993's The Brass Project, and the only document of his ongoing quartet with pianist John Taylor, bassist Chris Laurence and drummer John Marshall, 1994's Stranger Than Fiction--saxophonist John Surman's subsequent output for the label has consisted of unorthodox but no ...


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