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61

Article: Profile

We Out Here: The Fast-Forward Evolution of British Jazz

Read "We Out Here: The Fast-Forward Evolution of British Jazz" reviewed by Chris May


After a lifetime in the shadow of its American parent, British jazz is finally coming of age. A community of young, London-based musicians is forging a style which, while anchored in the American tradition, reflects the modern Caribbean and African cultural heritages of the majority of its vanguard players. The music also addresses the race, class ...

3

Article: Album Review

Mark Lockheart and Roger Sayer: Salvator Mundi

Read "Salvator Mundi" reviewed by Roger Farbey


Hot on the heels of Mark Lockheart's highly acclaimed Days On Earth (Edition, 2019), comes this liturgically-based duo recording. The saxophonist is accompanied here by virtuoso organist Roger Sayer, director of music at London's Temple Church. Sayer was a student at the Royal College of Music where he won multiple prizes for organ recital and was ...

2

Article: Live Review

Brussels Jazz Weekend 2019

Read "Brussels Jazz Weekend 2019" reviewed by Martin Longley


Brussels Jazz Weekend Brussels, Belgium May 24-25, 2019 The annual Brussels Jazz Weekend fills up multiple venues across multiple zones, completely colonising this Belgian city with jazz, never asking for entrance fees, and even embracing other musical areas, such as global, roots, rock and electronica. It presents well over a ...

1

Article: Album Review

Norma Winstone & John Taylor: In Concert

Read "In Concert" reviewed by Roger Farbey


When John Taylor died on 17 July 2015, aged 72, the jazz world lost one its finest pianists. Over the course of his career he recorded with the likes of Arild Andersen, John Dankworth, Peter Erskine, Gil Evans. Jan Garbarek, Mike Gibbs, Charlie Haden, Lee Konitz, Enrico Rava, John Surman, Steve Swallow, Miroslav Vitous and Kenny ...

5

Article: Album Review

Martin Archer: Another Fantastic Individual

Read "Another Fantastic Individual" reviewed by Matt Parker


This album is perhaps slightly less immediate than some of Martin Archer's other recent releases, such as the eponymous debut album of the Krautrock-esque trio Das Rad, but no less essential and, perhaps, in a sense, more impressive given that it was performed in its entirety by Archer alone. Another Fantastic Individual is a ...

4

Article: Album Review

Alexander Hawkins: Iron Into Wind

Read "Iron Into Wind" reviewed by John Sharpe


On his second solo album pianist Alexander Hawkins creates an adventurous and deeply personal synthesis which draws from both jazz and classical wellsprings. One of the foremost representatives of an exciting younger generation of British musicians, his talents are on display not only on his own projects, like Uproot (Intakt, 2018), but with growing circle of ...

Album

Invisible Threads

Label: ECM Records
Released: 2018
Track listing: At First Sight; Autumn Nocturne; Within the Clouds; Byndweed; On Still Waters; Another Reflection; The Admiral; Pitanga Pitomba; Summer Song; Concentric Circles; Stroke Damerel; Invisible Threads.

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Article: Year in Review

John Kelman's Best Releases of 2018

Read "John Kelman's Best Releases of 2018" reviewed by John Kelman


Once again, the chronic health problem that has reduced my writing pace to a crawl continues without any respite. My best of the year lists have traditionally been predicated upon having reviewed the releases chosen, but with only a relative handful of reviews to choose from this year (and with those choices, more than ever now, ...

1

Article: Year in Review

Mark Werlin's Notable Hi-Res Releases in 2018

Read "Mark Werlin's Notable Hi-Res Releases in 2018" reviewed by Mark Werlin


2018 has been a good year for jazz music in hi-res audio formats. ECM, Songlines, Intakt, ACT Music, Firehouse 12, Foné, Mack Avenue, TRPTK, and other independent labels released newly-recorded and recent catalog albums in high resolution through download vendors, Bandcamp, and the labels' own websites. One US music vendor lists more than 300 jazz titles ...

Article: Live Review

Area M - Playing John Surman

Read "Area M - Playing John Surman" reviewed by Paolo Peviani


Orchestra Nazionale Jazz dei Conservatori Italiani Stagione Musicale Area M--Città Studi Sound Conservatorio Giuseppe Verdi, Milano 13.10.2018 John Surman al Conservatorio di Milano. La memoria corre ad un inverno di una trentina d'anni fa. All'unica occasione in cui avevo avuto modo di ascoltare il sassofonista inglese dal ...


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