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Legendary British Saxophonist John Surman Interviewed at AAJ
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
John Surman / Howard Moody: Rain On The Window
by John Kelman
With John Surman's Brewster's Rooster (ECM, 2009) refocusing attention on the British saxophonist/bass clarinetist's jazzier proclivities, it's a good time to assess Rain On The Window--not yet out in North America, but available in Europe since the spring of 2008. A duet recording that picks up, to some extent, where Proverbs and Songs (ECM, 1997) left ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
AllAboutJazz-New York September 2009 Issue Now Available!
This month, we mourn the passing of the seminal composer George Russell, whose book, Lydian Chromatic Concept of Tonal Organization, was the precursor for a modal approach to jazz and such masterworks as Miles Davis’ Kind of Blue. But for such a pedigree, Russell may not be well-known to some readers. The history of jazz, for ...
TD Canada Trust 2009 Vancouver International Jazz Festival
by Andrey Henkin
TD Canada Trust Vancouver International Jazz FestivalVancouver, CAJune 26th-July 5th Probably one of the few places on the planet not deep in mourning for recently deceased pop star Michael Jackson was Vancouver, on the western coast of Canada, or at least the parts of the city given over to the 24th annual TD ...
John Surman: Brewster's Rooster
by John Kelman
After a string of more jazz-centric ECM releases--1992's relatively free Adventure Playground, the large ensemble of 1993's The Brass Project, and the only document of his ongoing quartet with pianist John Taylor, bassist Chris Laurence and drummer John Marshall, 1994's Stranger Than Fiction--saxophonist John Surman's subsequent output for the label has consisted of unorthodox but no ...
Tierney Sutton Band: Desire
by Carl L. Hager
Tierney Sutton Band Desire Telarc 2009Singer Tierney Sutton's Desire is the kind of provocative musical work that could change the way a listener hears music. It is an album that is meant to spiritually provoke. It arrests, alarms, it even terrifies. By the end ...
Louis Sclavis: Lost on the Way
by John Kelman
Over the course eight albums, French clarinetist/saxophonist Louis Sclavis has carved his own niche on ECM. Every album possesses a different complexion--from the acoustic free play of Acoustic Quartet (1994) and aggressively open-ended variations of composer Jean-Phillip Rameau's work on Les Violences de Rameau (1996) to the more structured soundtrack for Charles Vanel's 1929 film, Dans ...
Alexander von Schlippenbach, Aki Takase and Rudi Mahall: Betting on Tradition
by Clifford Allen
European improvisation began to set itself apart when it built its own tradition, drawing from folk forms and concert music rather than providing provincial answers to questions posed by Ornette Coleman, Thelonious Monk or Duke Ellington. Of course, all these figures factored into the music of players like trombonist Albert Mangelsdorff, drummer Gil Cuppini and reed ...
Charles Evans: The King Of All Instruments
by Eyal Hareuveni
Baritone saxophonist player (and high school teacher by trade) Charles Evans' fourth release is a triumphant solo exploration of the big horn. Equipped with warm recommendations by sax players--former teacher Dave Liebman and fellow baritone player John Surman, Evans' multilayered compositions for the baritone saxophone, recorded between June 2007 to March 2008, suggest varied facets of ...
