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Article: Radio & Podcasts

chuffDRONE, Treesearch & Mark Segger

Read "chuffDRONE, Treesearch & Mark Segger" reviewed by Maurice Hogue


This episode is a mixed bag of some newer releases and some recent ones definitely worthy of revisiting. The Austrian quintet chuffDrone takes an interesting approach to its highly polished improvisation, while the duo of bassist Rob Clutton and saxophonist Tony Malaby create an album of gems on Offering; it's the kind of personal connection that ...

Results for pages tagged "John Stevens"...

Musician

John Stevens

Born:

4

Article: Album Review

Bobby Bradford / Frode Gjerstad / Kent Carter / John Stevens: Blue Cat

Read "Blue Cat" reviewed by John Sharpe


Following on from Day Two (2019), the Lithuanian NoBusiness imprint issues another archive tape by Detail, the collective founded by Norwegian reedman Frode Gjerstad and English drummer John Stevens. By 1991 when this live set was captured, original bassist Johnny Dyani had died and had been replaced by expatriate American Kent Carter. Also on the album ...

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Article: Radio & Podcasts

“Bass-ic" Strokes for Discerning Folks

Read "“Bass-ic" Strokes for Discerning Folks" reviewed by Maurice Hogue


The double bass is rather well-represented in this show. New recordings featuring some great bassists as leaders come from Miles Perkin, Benjamin Hedquist, and Andrew Schiller, while other recordings feature Mario Pavone, Ville Rauhala with Hot Heros, Brett Hirst with Phil Slater, Brad Jones with Tenor Triage, Matt Brewer with Steve Lehman, Giovanni Maier with Cene ...

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Article: Album Review

Frode Gjerstad: Day Two

Read "Day Two" reviewed by John Sharpe


Detail was a band ahead of its time. The co-operative trio formed in 1981 by Norwegian reedman Frode Gjerstad and English drummer John Stevens, was completed in its first incarnation by South African bassist Johnny Dyani. Day Two was recorded in Gjerstad's hometown Stavanger, and as the name suggests, it was the result of the second ...

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Article: Album Review

Joe Fonda: New Origin

Read "New Origin" reviewed by Mike Jurkovic


On New Origin veteran bassist Joe Fonda and drummer Harvey Sorgen—(Ahmad Jamal, Dewy Redman) boldly return to the passion that forged Dreamstruck (Not Two, 2018), their unstoppable trio excursion with Marilyn Crispell. Sworn architects of reverberant depth and the collective accord separating us from AI, the vets team this time with the equally free ...

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Article: Building a Jazz Library

John Butcher

Read "John Butcher" reviewed by John Eyles


In the Building a Jazz Library article on Evan Parker, it says that seasoned Parker followers would describe him as the finest improvising saxophonist of his generation. Curiously, many of those same people would use exactly that phrase about John Butcher. The simple explanation for this apparent contradiction is that we are talking about two generations; ...

Article: Album Review

Frode Gjerstad: Bop Stop

Read "Bop Stop" reviewed by Giuseppe Segala


A cavallo tra gli anni Settanta e Ottanta, quando nella scena jazz norvegese la presenza dell'etichetta germanica Ecm stimolava e indirizzava le scelte di tanti musicisti, il sassofonista Frode Gjerstad si volgeva a un altro panorama, cercando il contatto con le odissee procellose dell'improvvisazione storica europea, volgendosi soprattutto all'area britannica. Qui collaborò con grandi maestri che ...

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Article: Album Review

Stray: Into Darkness

Read "Into Darkness" reviewed by John Sharpe


Two old masters and two younger pretenders unite to produce Into Darkness. Saxophonist John Butcher and guitarist John Russell were both part of the so-called second generation of improvisers, following in the wake of progenitors such as Evan Parker, Derek Bailey and John Stevens. Joining them in a continuous 51-minute live performance from London's Iklektic in ...

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Article: Profile

Mike Osborne: Force Of Nature - Part 2-2

Read "Mike Osborne: Force Of Nature - Part 2-2" reviewed by Barry Witherden


Part 1 | Part 2 The passion and conviction of Osborne's playing was so intense that it almost always came across undiminished on recordings, whether they originated in a pub, club or concert-hall gig, or in a studio as part of a formal session. Some of his most exciting work was captured in front ...


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