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Article: Album Review

Julie Kjaer 3: Dobbeltgaenger

Read "Dobbeltgaenger" reviewed by John Sharpe


An increasingly visible presence on the London scene, Danish saxophonist Julie Kjaer's latest move can only accelerate that prominence. For her third outing as leader she has enlisted the support of two of Europe's most accomplished improvisers in bassist John Edwards and drummer Steve Noble, who can also be heard fuelling the likes of Peter Brötzmann ...

7

Article: Album Review

Peter Kuhn: No Coming, No Going – The Music of Peter Kuhn 1978-1979

Read "No Coming, No Going – The Music of Peter Kuhn 1978-1979" reviewed by John Sharpe


In No Coming No Going, the Lithuanian NoBusiness imprint has unearthed a real gem, as part of its continuing exhumation of the New York 1970s loft scene. Reedman Peter Kuhn was a minor presence during the latter half of the decade, releasing three discs under his own leadership, and appearing on dates by Frank Lowe and ...

12

Article: Album Review

Eric Revis Trio: Crowded Solitudes

Read "Crowded Solitudes" reviewed by John Sharpe


In following his own star, bassist Eric Revis continues to explore terrain further off the charts than erstwhile employers Branford Marsalis, Steve Coleman and Kurt Rosenwinkel. For the sequel to the acclaimed City of Asylum (Clean Feed, 2013), Revis retains Kris Davis on piano but replaces Andrew Cyrille with Gerald Cleaver in the drum chair. Revis ...

1

Article: Album Review

Jean-Brice Godet Quartet: Mujo

Read "Mujo" reviewed by John Sharpe


Young French reedman Jean-Brice Godet enlists a seasoned cast for his debut leadership album, recruited during one of his frequent visits to NYC. Downtown stalwart Michael Attias completes the two horn front line, while bassist Pascal Niggenkemper and drummer Carlo Costa man the engine room. Godet works regularly with celebrated bassist Joelle Leandre, appearing on Can ...

8

Article: Album Review

Twenty One 4tet: Live At Zaal 100

Read "Live At Zaal 100" reviewed by John Sharpe


The moniker Twenty One 4tet represents a summit of cosmopolitan international improvisers gathering in Amsterdam . On the face of it there's not a lot of connection between peripatetic American saxophonist John Dikeman's Ayler-inspired tirades and Portuguese trumpeter Luis Vicente's thoughtful chamber explorations, but the outcome suggests much more of a meeting of minds than might ...

10

Article: Album Review

Protean Reality: Protean Reality

Read "Protean Reality" reviewed by John Sharpe


Alto saxophonist Chris Pitsiokos has been creating a buzz around NYC for a while now. After a series of releases on small independent imprints, Protean Reality constitutes one of the first opportunities for him to be heard by a wider audience. He appears in the eponymous triumvirate, alongside drummer Philipp Scholz and electric bassist Noah Punkt, ...

6

Article: Album Review

John Lindberg / Anil Ereslan: Juggling Kukla

Read "Juggling Kukla" reviewed by John Sharpe


Bassist John Lindberg is best known for his tenure with jazz heavyweights like trumpeter Wadada Leo Smith, and saxophonists Roscoe Mitchell and Anthony Braxton. Equally deserving acclaim are his own swinging but adventurous outfits such as the quartet which waxed A Tree Frog Tonality (between the lines, 2000) and The Catbird Sings (Soul Note, 2000). But ...

5

Article: Album Review

Fred Frith / Darren Johnston: Everybody's Somebody's Nobody

Read "Everybody's Somebody's Nobody" reviewed by John Sharpe


Here's a West Coast entrant to the slim body of guitar/trumpet duets from iconoclastic strummer Fred Frith and trumpeter Darren Johnston. It collects 11 short cuts from two studio sessions into a three-quarter hour program. They're not averse to co-opting rhythms (Frith) or melodic figures (Johnston), meaning that what we have here can be termed the ...

32

Article: Album Review

Thomas Borgmann Trio: One For Cisco

Read "One For Cisco" reviewed by John Sharpe


This limited edition LP documents a collectively birthed exploration spread across the two sides by the visiting German pair of reedman Thomas Borgmann and long time associate drummer Willi Kellers, who team up with NYC bassist Max Johnson. The concert took place as part of the New York Tenor Saxophone Festival at Ibeam in 2015 organized ...

6

Article: Album Review

Michael Bisio: Accortet

Read "Accortet" reviewed by John Sharpe


A history of the accordion in jazz would be a slight volume. The accordion sits midway between horn and keyboard, and perhaps it's a surprise given its versatility that it doesn't have a higher profile. Klezmer influenced companies apart, the rollcall at the exploratory end of the spectrum would include Anthony Braxton (of course), The Claudia ...


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