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6

Article: Interview

John Etheridge: More Than a Legacy

Read "John Etheridge: More Than a Legacy" reviewed by Bruce Lindsay


The home page of guitarist John Etheridge's website reveals that he's involved in seven current projects: nothing too unusual in the life of a contemporary jazz musician. Closer inspection quickly shows that the term “jazz musician" fails miserably to encompass the full range of Etheridge's work. There's his career as a solo performer; his duo with ...

4

Article: Album Review

Soft Machine Legacy: Burden of Proof

Read "Burden of Proof" reviewed by Glenn Astarita


Subsequent to its psychedelic late 60s existence, Soft Machine redeployed its musicality into a hybrid form of British prog-rock meets avant-garde jazz and jazz fusion schema. The band invoked a signature sound, partly due to keyboardist Mike Ratlledge's fuzz-toned Lowry organ performances and other prominent factors. A chief proponent of Britain's fabled Canterbury music scene, many ...

6

Article: Extended Analysis

Soft Machine Legacy: Burden of Proof

Read "Soft Machine Legacy: Burden of Proof" reviewed by Dave Wayne


Over the course of three albums released between 1968 and 1970, the British band Soft Machine transformed from one of the trippiest and mind-bendingly inventive rock bands of the psychedelic era into a raging musical torrent of free jazz, thunderous prog rock, and high- concept minimalist-inspired avant-garde stylings. With the dizzying changes in musical direction came ...

News: Recording

Soft Machine Legacy Releases New Studio Album "Burden Of Proof"

Soft Machine Legacy Releases New Studio Album "Burden Of Proof"

Soft Machine Legacy makes their most powerful statement to date, delivering an album of epic proportions and their first studio output since 2007's Steam. Infectious grooves, undeniably hip vibes and sizzling performances dominate the outing, as the veteran progressive music masters continue to break new ground and offer listeners yet more previously-unseen facets of their dynamic ...

2

Article: Live Review

London Jazz Festival: November 9-18, 2012

Read "London Jazz Festival: November 9-18, 2012" reviewed by Duncan Heining


London Jazz FestivalLondon, England November, 9-18, 2012Now in its 20th year, the London Jazz Festival is a vast, all-encompassing affair. One of the great cities of the world, London's history saw it swallow village upon village and hamlet after hamlet and this can make it all seem dispersed and disconnected. It's an ...

157

Article: Album Review

Mike Melito: The Right Time

Read "The Right Time" reviewed by Dan Bilawsky


When the word “predictable" shows up in music reviews, it's often wrongly viewed as the kiss of death. Somewhere along the way, “defying expectations" or “charting new territory" have become the quickest way to gain recognition, but the tried-and-true shouldn't be sold short. On The Right Time, veteran drummer Mike Melito and his band deliver a ...

213

Article: Profile

Mike Westbrook: Art Wolf at 75

Read "Mike Westbrook: Art Wolf at 75" reviewed by Duncan Heining


Close your eyes for a moment. Imagine a jazz composer who began with Ellington and then moved on through Mingus. He soon encompassed rock music, Kurt Weill, Rossini, the traditions of English church music and the pastoralism of Vaughan Williams and Holst, but still found a place in his music for The Beatles, European political cabaret ...

97

News: Obituary

Graham Collier, 1937-2011

Graham Collier, 1937-2011

Written by Duncan Heining Composer, bassist and bandleader Graham Collier left town on Friday, September 9,, 2011. He was holidaying with his partner, John, in Crete, when a sudden heart failure took his final breath. It was quick, relatively painless but unexpected. We all felt sure Graham had too much sparkle, too much music in him ...

239

Article: Record Label Profile

MoonJune Records: A Decade of Progressive Rock Documentation

Read "MoonJune Records: A  Decade of Progressive Rock Documentation" reviewed by Mark Redlefsen


On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, “Moon In June," ...

257

Article: Album Review

Soft Machine: Tales of Taliesin: The EMI Years Anthology 1975-1981

Read "Tales of Taliesin: The EMI Years Anthology 1975-1981" reviewed by John Kelman


With the release of Bundles (Harvest, 1975), Soft Machine moved more definitively into the riff-based fusion territory that keyboardist/reed man Karl Jenkins had begun pushing the band since his arrival on Six (Sony, 1973). With reeds becoming increasingly less dominant, and the group's only remaining founding member, keyboardist Mike Ratledge, relegated to a backline position, this ...


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