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Graham Collier: Luminosity
by Duncan Heining
A new work, posthumously released and recorded--how many of those can there have been in jazz? Luminosity features two late works by composer Graham Collier brought to realisation through the efforts of his partner, author John Gill and conductor Geoff Warren. To say this record is a fine valediction is a statement infused with regret. These ...
The Interplay Jazz Orchestra: My Love You're Free
by Dan Bilawsky
Is there any sound as glorious as that of a big band in full swing? While that question is somewhat rhetorical, there's no question about the fact that the big band was once synonymous with all that was right, good and adventurous in jazz. While it's true that these large ensembles haven't ruled ...
S.O.S.: Looking for the Next One
by John Kelman
With more and more archival “finds" hitting the shelves--real or virtual--it's becoming increasingly difficult to separate the wheat from the chaff. Just because an old, long considered lost recording has resurfaced doesn't inherently make it worthy of release: sometimes the sound isn't up to snuff--though, if it's a stellar performance, that can sometimes be forgiven--but other ...
John Etheridge: More Than a Legacy
by Bruce Lindsay
The home page of guitarist John Etheridge's website reveals that he's involved in seven current projects: nothing too unusual in the life of a contemporary jazz musician. Closer inspection quickly shows that the term “jazz musician" fails miserably to encompass the full range of Etheridge's work. There's his career as a solo performer; his duo with ...
Soft Machine Legacy: Burden of Proof
by Glenn Astarita
Subsequent to its psychedelic late 60s existence, Soft Machine redeployed its musicality into a hybrid form of British prog-rock meets avant-garde jazz and jazz fusion schema. The band invoked a signature sound, partly due to keyboardist Mike Ratlledge's fuzz-toned Lowry organ performances and other prominent factors. A chief proponent of Britain's fabled Canterbury music scene, many ...
Soft Machine Legacy: Burden of Proof
by Dave Wayne
Over the course of three albums released between 1968 and 1970, the British band Soft Machine transformed from one of the trippiest and mind-bendingly inventive rock bands of the psychedelic era into a raging musical torrent of free jazz, thunderous prog rock, and high- concept minimalist-inspired avant-garde stylings. With the dizzying changes in musical direction came ...
Soft Machine Legacy Releases New Studio Album "Burden Of Proof"
Soft Machine Legacy makes their most powerful statement to date, delivering an album of epic proportions and their first studio output since 2007's Steam. Infectious grooves, undeniably hip vibes and sizzling performances dominate the outing, as the veteran progressive music masters continue to break new ground and offer listeners yet more previously-unseen facets of their dynamic ...
London Jazz Festival: November 9-18, 2012
by Duncan Heining
London Jazz FestivalLondon, England November, 9-18, 2012Now in its 20th year, the London Jazz Festival is a vast, all-encompassing affair. One of the great cities of the world, London's history saw it swallow village upon village and hamlet after hamlet and this can make it all seem dispersed and disconnected. It's an ...
Mike Melito: The Right Time
by Dan Bilawsky
When the word “predictable" shows up in music reviews, it's often wrongly viewed as the kiss of death. Somewhere along the way, “defying expectations" or “charting new territory" have become the quickest way to gain recognition, but the tried-and-true shouldn't be sold short. On The Right Time, veteran drummer Mike Melito and his band deliver a ...
Mike Westbrook: Art Wolf at 75
by Duncan Heining
Close your eyes for a moment. Imagine a jazz composer who began with Ellington and then moved on through Mingus. He soon encompassed rock music, Kurt Weill, Rossini, the traditions of English church music and the pastoralism of Vaughan Williams and Holst, but still found a place in his music for The Beatles, European political cabaret ...
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