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The Gil Evans Project directed by Ryan Truesdell at Jazz Standard
by Dan Bilawsky
The Gil Evans Project directed by Ryan TruesdellJazz StandardNew York, NYMay 17, 2013 Somewhere along the way, the centennial of a notable jazz figure's birth became a major cause for celebration and reflection. Unfortunately, these celebrations have occasionally become last hurrahs for the dearly departed, as their life's work fades ...
Trio Con Tromba's Treasure Trove of Previously Unreleased Recordings
by Florence Wetzel
The term lagom is essential to the Swedish soul. There's no direct translation into English or any other language, but positive connotations of the word include “in balance" and “just the right amount," with the Swedish proverb Lagom är bäst translated as “Enough is as good as a feast." An aural equivalent of lagom can be ...
Paul Winter Sextet: Count Me In
by Edward Blanco
The Paul Winter Sextet was a short-lived group from the 1960s, leaving little in terms of an imprint or legacy in jazz but for one distinguishing fact: it was the very first jazz group to perform in concert at The White House. After a grueling six-month State Department-sponsored tour of 23 Latin American countries, First Lady ...
More Fresh Sounds From Fresh Sound
by Bruce Klauber
The Fresh Sound record label has released another superb batch of late 1950s and early 1960s recordings by jazz legends, greats, near-greats and now obscure artists who, then and now, deserve wider recognition. As detailed in previous pieces, Fresh Sound is the only organization out there issuing these essential works, which otherwise would remain lost.
Dave Pell: Remembers John Kirby and Big Small Bands
by C. Michael Bailey
Historical recreations of music are nothing new. Every tribute recording ever released is one. In the 1980s and '90s, classical music went through its “period instrument-performance practice" phase, where the entire Baroque, Classical and early Romantic repertoires were recreated using instruments and metronomic markings from the 18th and 19th Centuries. In the late 1950s, jazz was ...
Marc Myers: Why Jazz Happened
by Ian Patterson
Why Jazz HappenedMarc Myers266 pagesISBN 9780520268784University of California Press2012Jazz's timeline and the iconic figures of each of its successive stylistic movements are well known to aficionados. Less well understood, however, are the underlying conditions that created these changes. Advances in recording technologies, social trends, ...
Scarborough Jazz Festival: Scarborough, UK, September 28-30, 2012
by Duncan Heining
Scarborough Jazz FestivalScarborough, UK September, 28-30, 2012Now in its tenth year, Scarborough Jazz Festival is a fixture in the UK's jazz calendar. Situated on the east coast of North Yorkshire, Scarborough's heyday was in the Victorian era, when coaches would pull up outside hotels like The Royal or The Crown to disgorge ...
James Cammack: Where You At?
by Ian Patterson
Oftentimes, it's only the passing of time that can offer true perspective. In years to come, bassist James Cammack may look back on 2012 as the year when--after over 30 years in the business--he truly began his musical adventure in earnest. After 29 years playing bass in the ensembles of piano legend Ahmad Jamal, Cammack was, ...
Duncan Heining: George Russell - The Story of an American Composer
by John Kelman
George Russell: The Story of an American Composer Duncan Heining 376 pages, hardback ISBN: 978-0-8108-6997-4 Scarecrow Press 2010 It's been out for a couple years now, but any book about American composer and founder of the Lydian Chromatic Concept of Tonal Organization—if not the most influential musical concepts ever ...
Darmstadter Big Band / Alon Yavnai–NDR Big Band / Red Bank Jazz Orchestra
by Jack Bowers
Dartstadter Big BandKentomaniaSelf Published2010 Of all the recorded tributes to the legendary Stan Kenton released during the centennial of his birth (2011), the Darmstadter Big Band's Kentomania (it's spelled that way on the jacket cover and disc) is unequaled for one reason alone: it has former Kenton ...
