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241

Article: Album Review

Glerum Omnibus: One

Read "One" reviewed by John Kelman

by John Kelman

Stick around long enough, work your way into the public eye strongly enough, and you'll eventually spawn imitators in your wake. Sweden's Esbjorn Svensson Trio has been around for over ten years now and has rocketed to significant popularity in Europe, for a jazz trio, over the past five. Now Ernst Glerum, with his trio project ...

107

Article: Album Review

Ernst Thoma: Time Layer

Read "Time Layer" reviewed by John Kelman

by John Kelman

Ernst Thoma, a fixture on the Swiss experimental music scene, creates a multi-layered, multi-level excursion into electronic ambience with Time Layer , an album that finds him combining technologies old and new into a soundscape that is strangely compelling, but only if you are prepared to put down any preconceptions about how music is supposed to ...

153

Article: Album Review

John Heward Trio: Let Them Pass (Laissez-passer)

Read "Let Them Pass (Laissez-passer)" reviewed by John Kelman

by John Kelman

Spontaneous composition, as opposed to free improvisation, finds a group of musicians working towards creating some kind of recognizable construct; sometimes, in fact, as in the case of the title track from Marilyn Crispell's '01 release, Amaryllis , what begins as a free improvisation becomes an actual piece with a thematic form that, in this case, ...

339

Article: Album Review

Terje Gewelt: Small World

Read "Small World" reviewed by John Kelman

by John Kelman

Some albums are destined for greatness on first listen. Others take more time to settle in, requiring a greater familiarity before they reveal their best qualities. While Norwegian bassist Terje Gewelt's new album Small World is somewhat underwhelming on first cut, subsequent listens reveal a richer experience. Marrying a looser Nordic rhythmic approach with the percussion-driven ...

560

Article: Album Review

Sten Hostfalt: 29 Pieces for the Microtonal Guitar: Live at Knitting Factory New York

Read "29 Pieces for the Microtonal Guitar: Live at Knitting Factory New York" reviewed by John Kelman

by John Kelman

Multi-instrumentalist Joe Maneri's recent release Angles of Repose demonstrated exactly how cogent his microtonal approach to improvisation has been, using extended techniques to expand on the sonic capabilities of more traditional instruments. Clearly inspired by Maneri, Sten Hostfalt takes the more rigid confines of the guitar and transforms it into an instrument equally capable of exploring ...

255

Article: Album Review

Thelonious Monk: Monk 'Round the World

Read "Monk 'Round the World" reviewed by John Kelman

by John Kelman

What can you say about pianist Thelonious Monk? By the time these tracks were recorded, between '61 and '64, he had already amassed a body of work containing many tunes that had already become classics, and he would continue to influence composers and players through to this day. At this time in his career, though, rather ...

369

Article: Album Review

Kenny Wheeler & John Taylor: Where Do We Go From Here?

Read "Where Do We Go From Here?" reviewed by John Kelman

by John Kelman

Over the past thirty years, pianist John Taylor has clearly been trumpeter Kenny Wheeler's accompanist of choice. Cerebral yet quietly passionate, intuitive and supportive, with a musical personality rooted in Bill Evans that has, nevertheless, long since evolved beyond comparative considerations, Taylor's ability to get inside Wheeler's often melancholic compositions is without equal. From big band ...

254

Article: Album Review

The Plunge Trio: Plunge

Read "Plunge" reviewed by John Kelman

by John Kelman

Plunge is a young Swedish trio that has been together for three years, exploring a combination of composed music and completely free improvisation. On their self-titled d'but, saxophonist Andreas Andersson, double-bassist Mattias Hjorth and drummer Peter Nilsson have chosen to expose their more extemporaneous side with a programme of nine purely spontaneous compositions. The term spontaneous ...

351

Article: Album Review

Tony Bianco/Dave Liebman/Tony Marino: Line Ish

Read "Line Ish" reviewed by John Kelman

by John Kelman

Saxophonist Dave Liebman's reputation has often rested on his deliberation for carrying the torch laid down by John Coltrane. Expressionistic, with an informed world view, he is as comfortable in a melodic and relaxed setting, as on his most recent quartet record, In a Mellow Tone , as he is in a more free context, beautifully ...

1,193

Article: Interview

Martin Speake: His Ideal

Read "Martin Speake: His Ideal" reviewed by John Kelman

by John Kelman

Alto saxophonist Martin Speake may be well-known in his native England but a bit of a well-kept secret when it comes to exposure in North America, where he deserves a wider audience. With a sound that is influenced by artists as diverse as Ornette Coleman, Paul Motian, Keith Jarrett and Steve Coleman, and a compositional style ...


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