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303

Article: Album Review

Dave Douglas/Louis Sclavis/Peggy Lee/Dylan Van Der Schyff: Bow River Falls

Read "Bow River Falls" reviewed by John Kelman

by John Kelman

With a discography that is as varied as it is large, trumpeter Dave Douglas has rightly earned the many accolades showered upon him since his emergence in the early '90s. From the Parallel Worlds string ensemble to the electronica of his Freak In group, his work has been characterized by a broad sense of exploration and ...

258

Article: Album Review

John McNeil: Sleep Won't Come

Read "Sleep Won't Come" reviewed by John Kelman

by John Kelman

Anyone who has suffered from a bout of insomnia knows what trumpeter John McNeil is talking about with Sleep Won't Come. First there are the mental gymnastics as you try to settle your mind down, but instead you find yourself plagued with a barrage of ideas that just won't quit. Then you try the relaxation devices: ...

1,407

Article: Interview

Nels Cline: Intrepid Guitarist

Read "Nels Cline: Intrepid Guitarist" reviewed by John Kelman

by John Kelman

Some musicians lead double lives, working in a couple of seemingly disparate contexts that still manage to come together into a cohesive musical vision. Intrepid guitarist Nels Cline has led far more than two, involved in everything from the acoustic Ralph Towner-informed work of Quartet Music to the post-punk of Mike Watt. His own work is ...

389

Article: Album Review

Gabriele Mirabassi/Guinga: Graffiando Vento

Read "Graffiando Vento" reviewed by John Kelman

by John Kelman

The music of Brazil is an entire subculture unto itself. While populists may associate it with the smooth sounds of Jobim and Gilberto, it's just as much the ethnic folk music of Gismonti and Vasconcelos as it is the classical leanings of Villa-Lobos. That being said, when Italian clarinetist Gabriele Mirabassi first recorded with guitarist Sergio ...

289

Article: Album Review

Enrico Pieranunzi: Les Amants

Read "Les Amants" reviewed by John Kelman

by John Kelman

After having released seven recordings for the Italian EGEA label in settings ranging from solo to trio, when pianist Enrico Pieranunzi was asked what he'd like to do next, he immediately replied, “a CD with piano, sax, bass and--a string quartet." Given the green light, Pieranunzi put together a series of pieces that seamlessly combine the ...

231

Article: Album Review

Jeff Berlin: Lumpy Jazz

Read "Lumpy Jazz" reviewed by John Kelman

by John Kelman

You have to really love the bass to enjoy Jeff Berlin's latest offering, Lumpy Jazz. Solos abound at every turn, his electric bass is up in the mix when keyboardist Richard Drexler is taking the spotlight, and even on “Toot's Suite," which features a guest spot by harmonica player Toots Thielmans, Berlin's sound dominates. ...

224

Article: Album Review

Ricardo Silveira/Luiz Avellar: Live: Play the Music of Milton Nascimento

Read "Live: Play the Music of Milton Nascimento" reviewed by John Kelman

by John Kelman

The music of Milton Nascimento shares common ground with fellow Brazilian Egberto Gismonti, but there are differences. What they share is a root in the traditional folk music of the forests of Brazil. But whereas Gismonti leans towards the abstract and to compositions that are more complex, sharing an equal affinity with modern classical music, Nascimento ...

268

Article: Album Review

Steve Swallow/Ohad Talmor: L'Histoire du Clochard (The Bum's Tale)

Read "L'Histoire du Clochard (The Bum's Tale)" reviewed by John Kelman

by John Kelman

When, after first meeting him in '95, tenor saxophonist Ohad Talmor first suggested to bassist Steve Swallow an album interpreting of some of Swallow's material, stating that he “didn't propose to treat [his] material nicely," he was told to “have his way." The result, L'Histoire du Clochard (The Bum's Tale) places some of Swallow's most popular ...

354

Article: Album Review

Ulf Wakenius: Forever You

Read "Forever You" reviewed by John Kelman

by John Kelman

Now and again an album appears that, in its gentle simplicity and unassuming veracity, makes a strong impact as much by virtue of all the things it is not as by all the things it is. Swedish guitarist Ulf Wakenius, heard on this session solely on classical guitar, clearly has the knowledge and ability to produce ...

357

Article: Album Review

Phil Ranelin: Inspiration

Read "Inspiration" reviewed by John Kelman

by John Kelman

While he started out as a Motown session player, trombonist Phil Ranelin left that behind in the '70s, instead pursuing a style that blended post-Coltrane post bop with Afro-Cuban rhythms and harmonies. With Inspiration , Ranelin delivers an album firmly planted in these traditions, paying tribute to a number of his influences and past collaborators, including ...


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