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Mike Ladd: Negrophilia - The Album
by John Kelman
With a sound that is as forward-looking as it is aware of the past, poet/programmer Mike Ladd follows up his collaboration with keyboardist Vijay Iyer on last year's acclaimed What Is Language? (Psi) with Negrophilia - The Album. This time it's under his name rather than Iyer's and, consequently, a more specific look at his own ...
Jerry Granelli/Words by Rinde Eckert: Sandhills Reunion
by John Kelman
In these days of rap-informed everything , the combination of spoken word and jazz is nothing new. Mike Ladd's Negrophilia - The Album (Thirsty Ear, '05), for example, seamlessly blends poetry with electronica-inflected free ideas. But rap has a certain cadence that differs from the less direct rhythms associated with the spoken word of, say, the ...
Ch: Selwa
by John Kelman
While East meets West collaborations are nothing new, it is rare that such joinings actually transcend both sensibilities, creating a new and greater whole. With Selwa , guitarist/soundscapist Steve Tibbetts returns to Tibet for another meeting with singer Chöying Drolma, last heard together seven years ago on Chö (Hannibal). Expanding on ideas developed with their first ...
Go Ahead John: The Music of John McLaughlin
by John Kelman
Paul Stump Go Ahead John: The Music of John McLaughlin SAF Publishing ISBN: 0-04-679124-1 1999 Published in 1999, Paul Stump's Go Ahead John: The Music of John McLaughlin is aptly named. While there is a certain degree of biographical chronology to the book, it is more of an ...
Food: Last Supper
by John Kelman
On the basis of its title, Last Supper may be the final recording of the Anglo/ Norwegian group Food. And that's a shame, because over the course of four albums Food has evolved from a group of interesting free improvisers to an ensemble that organically blends electronics with said free improvisation, creating a distinctive voice that ...
Dexter Gordon: Mosaic Select 14
by John Kelman
Dexter Gordon Mosaic Select 14 Mosaic Records (B2-70985) 2004 While tenor saxophonist Dexter Gordon, long considered the bebop progenitor on his axe, recorded a number of classic sides for Blue Note in the '60s, including Go! and A Swingin' Affair , as well as seminal albums for ...
Al Ashley: These Are Them
by John Kelman
For listeners who picked up on the somewhat elusive guitarist Rick Stone's recent release, Samba de Novembro (Jazzand, '04), and liked what they heard, here's an opportunity to catch Stone in a completely different context. Drummer Al Ashley's These Are Them , originally released in '03 but only now seeing broader release, finds Stone and fellow ...
Bill Connors: Return
by John Kelman
A musical chameleon, guitarist Bill Connors has gone through at least three different incarnations in the past. As the first guitarist in Chick Corea's Return to Forever, Connors attracted attention for his stinging and passionate work on Hymn of the Seventh Galaxy (Polydor, 1973). But no sooner had his star begun to rise than he left ...
Vince Mendoza/London Symphony Orchestra: Epiphany
by John Kelman
In and out of print since its initial release in '99, composer/arranger Vince Mendoza's Epiphany represents one of the finest examples of orchestration in a jazz setting. While there have been other fine examples of large-scale blending, they have often simply retrofitted existing material, as was the case with last year's Promises Kept, where pianist Steve ...
Bill Frisell: Richter 858
by John Kelman
For those who think, based on recent recordings, that guitarist Bill Frisell has lost his edge, two new recordings should go a long way to restoring faith in Frisell's inestimable abilities as a composer and performer. They also assert that, like them or not, the Americana, world music, and groove-centric concerns of his most recent Nonesuch ...


