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393

Article: Live Review

Ottawa International Jazz Festival

Read "Ottawa International Jazz Festival " reviewed by John Kelman

by John Kelman

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 Every festival has its weaker days, and while day five of the Ottawa International Jazz Festival had its clear moments, it also ...

286

Article: Album Review

Woody Shaw: Live Volume Four

Read "Live Volume Four" reviewed by John Kelman

by John Kelman

Live Volume Four continues HighNote's ongoing series of live recordings from Todd Barkan's Keystone Korner club from the late '70s and early '80s. While trumpeter Woody Shaw never received the accolades he was due during his relatively short life--he died in '89 at the age of 44--these live recordings paint a picture of an innovator who ...

531

Article: Live Review

Ottawa International Jazz Festival

Read "Ottawa International Jazz Festival " reviewed by John Kelman

by John Kelman

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 The sign of a great festival is its ability to not only deliver on expectation, but to provide some serious surprises along ...

367

Article: Album Review

John Hollenbeck Large Ensemble: A Blessing

Read "A Blessing" reviewed by John Kelman

by John Kelman

One clear benefit of the global community we live in, with its inherently broad reach, is that many artists have developed into stylistic integrators. On a smaller scale, even people who live within the boundaries of the United States can experience greater artistic diversity than ever before. Only a century ago, people living in small rural ...

255

Article: Album Review

David Gibson: The Path to Delphi

Read "The Path to Delphi" reviewed by John Kelman

by John Kelman

Some jazz fans are constantly on the lookout for innovation and look down their noses at albums that are less than revolutionary--or even evolutionary, for that matter. But the truth is that within the broader purview of jazz there's plenty of room for works that are less ambitious but no less engaging. Sometimes a good story ...

450

Article: Live Review

Ottawa International Jazz Festival

Read "Ottawa International Jazz Festival" reviewed by John Kelman

by John Kelman

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 Based on the main stage events, some may consider the Ottawa International Jazz Festival to be a tad on ...

330

Article: Album Review

Bill Stewart Trio: Keynote Speakers

Read "Keynote Speakers" reviewed by John Kelman

by John Kelman

Drummer Bill Stewart puts out records under his own name all too infrequently. Maybe it's because he's too busy since he first emerged in the late '80s as a sideman for artists like guitarists John Scofield and Pat Metheny, saxophonist Chris Potter, pianists Bill Charlap and Bill Carrothers, and saxophonist/arranger Bob Belden. He's also been a ...

441

Article: Live Review

Ottawa International Jazz Festival

Read "Ottawa International Jazz Festival" reviewed by John Kelman

by John Kelman

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 One of the great things about the Ottawa International Jazz Festival is its support of local talent. Throughout the ...

271

Article: Live Review

25th Ottawa International Jazz Festival - Day One, June 23, 2005

Read "25th Ottawa International Jazz Festival - Day One, June 23, 2005" reviewed by John Kelman

by John Kelman

Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 | Day 7 | Day 8 | Day 9 | Day 10 | Day 11 Now celebrating its 25th anniversary, the Ottawa International Jazz Festival may not be the biggest festival around in terms of overall ...

233

Article: Album Review

Lenny Breau: Swingin' on a Seven-String

Read "Swingin' on a Seven-String" reviewed by John Kelman

by John Kelman

While guitarist Lenny Breau's innovations may not seem so significant now, he was like a bolt of lightning when he emerged in the '70s out of Manitoba, Canada. A true self-accompanist who integrated virtuosic skills in jazz, country, and flamenco into an unmistakable voice, Breau made his guitar sound like an ensemble. Legend has it that ...


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