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Kenny Werner: No Beginning No End
by John Kelman
Few tragedies strike as hard as that of a child's death preceding that of its parents, something that pianist Kenny Werner and his wife, Lorraine, know far too well. When their daughter, Katheryn, was killed in a 2006 car accident, it sent the couple into a downward spiral from which they were only capable of returning ...
Exclusive Documentary Featuring Eirik Hegdal and Joshua Redman at All About Jazz!
All About Jazz, in conjunction with What's Going On, is excited to provide the exclusive international debut of Triads and More: A Documentary, a 26-minute video that chronicles the making of Norwegian saxophonist Eirik Hegdal's exciting new collaboration with the Trondheim Jazz Orchestra and guest saxophonist Joshua Redman. This documentary coincides with the release of the ...
Multi-Reedman Dan Willis Interviewed at All About Jazz...and More!
For the past several years, multi-reedman Dan Willis—as prone to play Armenian duduk as he is a saxophone or clarinet—has been exploring the music of renegade classical composer Erik Satie, first with his 2006 Omni-Tone release, Velvet Gentlemen, and now, with his 2010 Daywood Drive follow-up, The Satie Project. In both cases he finds the perfect ...
Pianist Kenny Werner Interviewed at All About Jazz...and More!
Inspiration behind art is a curious thing. It takes many forms, from personal to universal perspectives. Many times it's unexpected. It is intertwined with one's life and the vicissitudes therein. As Charlie Parker famously said, “If you don't live it, it won't come out of your horn." For pianist/composer/arranger Kenny Werner, music has evolved, over time, ...
Supersilent: 10
by John Kelman
At a time when Supersilent has kicked into high gear with three releases in the space of a few short months--two CDs (10 and the forthcoming 12) and one vinyl-only release (11), all on the equally intrepid Rune Grammofon label--it seems incredulous that this Norwegian improvising trio can continue creating music in defiance of easy (or ...
Michael Formanek: The Rub And Spare Change
by John Kelman
With a discography that's growing with each passing year--expanding into territories new to both the label and music in general--it's difficult to understand the need for some to apply a reductionist stance to the music of ECM, whitewashing it with descriptions like “melancholy," or “Nordic cool." One listen to bassist Michael Formanek's ECM debut, The Rub ...
Nik Bartsch's Ronin: Llyria
by John Kelman
Nik Bärtsch's Ronin Llyrìa ECM Records 2010 Few artists have emerged in recent times with so unique and fully-formed a voice as pianist Nik Bärtsch. Living largely, as he does, in the jazz world--especially since coming to ECM in 2006 with Stoa, after years foundation-setting and groundbreaking work in his native ...
King Crimson: In the Wake of Poseidon (40th Anniversary Series)
by John Kelman
Considered a poor cousin to In the Court of the Crimson King (DGM Live, 1969), 1970's In the Wake of Poseidon may possess superficial similarities to its groundbreaking predecessor, but as a 2005 All About Jazz review of an earlier edition suggested, ..."Poseidon also hints of changes in the wind." Part of the second round of ...
Islands (40th Anniversary Series)
by John Kelman
With iconic progressive rock progenitor King Crimson's first batch of 40th Anniversary Series reissues, sole remaining co-founder, guitarist Robert Fripp--and, perhaps more importantly, Porcupine Tree's Steven Wilson--embarked on a program that will, over the next couple years, bring Crimson's catalog into the 21st century, with double-disc reissues featuring (for the most part) brand new mixes in ...
Bassist Dominic Duval Interviewed at All About Jazz
Bassist Dominic Duval is a mystery to many—even to those interested in free music. Seemingly emerging out of nowhere in the mid-1990s, over the course of 15 years he has built a formidable discography, firmly establishing him as one of the most original and prolific bassists alive today. His career is well-documented on more than one ...
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