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Large Ensembles: Is There a Place in This Large Music World?
by R.J. DeLuke
The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. It gave rise to iconic band leaders like Fletcher Henderson, ...
John Hollenbeck Large Ensemble: Eternal Interlude
by Mark F. Turner
Like fragments of crystal, John Hollenbeck's large ensemble casts angular lines, unusual shapes and refracts music (rather than light) differently than typical jazz big bands. The prolific drummer/composer's progressive slant has been at the core of The Claudia Quintet's For (Cuneiform, 2007) and Semi-Formal (Cuneiform, 2006); music marked by enigmatic ideas of swing, modern chamber music ...
Scott Fields Ensemble: Samuel
by Troy Collins
The works of Samuel Beckett have been a recurrent source of inspiration for guitarist Scott Fields. Samuel is Fields' second effort at conveying the master's prose through pure sound, following Beckett (Clean Feed, 2007). Transposing the original text of Beckett's plays into precise pitches, chords and time signatures, Fields transforms Beckett's wordplay into melodies and harmonies ...
Guy Klucevsek: Dancing on the Volcano
by Sean Patrick Fitzell
With good reason, Guy Klucevsek is considered one of the preeminent accordionists in new music. Firmly grounded in tradition, he can play all the styles associated with the instrument with a dizzying facility: fleet melodic runs, droning harmonic accompaniment and solid rhythmic support. No mere technician, Klucevsek's also a dynamic improviser--a quick-witted, deep listener, able to ...
CMA Announces $253,000 in Grants to Jazz Ensembles
NEW YORK, NY -- Chamber Music America (CMA), celebrating its 32nd year of service to ensemble music professionals, today announced the recipients of 12 grants through CMAs New Jazz Works: Commissioning and Ensemble Development program. The grantees were selected in June by an independent, five-member panel of professional jazz musicians. CMA received 161 applications from jazz ...
Henning Sieverts Symmetry: Blackbird
by Jerry D'Souza
The Beatles are given the dominant spot on Blackbird, but most of the music comes here from bassist/cellist Henning Sieverts. Sieverts--who has a long history of composition, having written for string ensembles, the theater, and groups of various size--locks in jazz and classical music, both in their individual frames and in an elegant blend, making for ...
John Hollenbeck: Rainbow Jimmies
by AAJ Italy Staff
Rainbows Jimmies (The Music of John Hollenbeck) - sottotitolo forse un po' pomposo ma esplicativo - è la documentazione più attuale ed esauriente dello stato dell'arte del John Hollenbeck compositore piuttosto che del valente batterista o leader del Claudia Quintet. Vi è in Rainbows Jimmies la visione aperta sul mondo, futurista, ricca di suggestioni e di ...
Medeski, Martin & Wood Perform John Zorn's Zaebos + the Claudia Quintet Perform at the Barbican!
Wednesday 8 July 7.30pm Medeski, Martin & Wood perform John Zorn's Zaebos + The Claudia Quintet Tickets 10/15/20/25 Produced by the Barbican in association with Serious Part of Blaze A firm favourite at the Barbican since their explosive set with guest guitarist John Scofield in 2007, the thrilling trio of organist/piano player John Medeski, drummer Billy ...
The New Mellow Edwards: Big Choantza
by Troy Collins
The New Mellow Edwards, an eclectic ensemble signed to artist-run, Brooklyn-based Skirl Records, is led by trombonist Curtis Hasslebring, who draws upon a variety of influences for his unorthodox jazz compositions, including neo-classical formalism, elastic funk and tuneful indie rock. One of Hasselbring's numerous side-projects, The New Mellow Edwards' impressive pedigree features clarinetist/tenor saxophonist ...
John Hollenbeck: Rainbow Jimmies
by Lyn Horton
In 2007, percussionist and composer John Hollenbeck won a Guggenheim Fellowship he used to study the extent to which the violin can be pushed instrumentally. To do this, he worked with consummate violinist Todd Reynolds and vibraphonist Matt Moran and created The Gray Cottage Studies," which provide the majority of pieces for Rainbow Jimmies (the remaining ...



