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149

Article: Multiple Reviews

It's The Drummer, Stupid

Read "It's The Drummer, Stupid" reviewed by Mark Corroto


If you're a jazz misanthrope you probably think first to “shoot the pianist," a saying taken from the Francois Truffaut film of the same name, Tirez sur le pianiste. Truth be told, the most effective way to pull the plug on a jazz band, a very good jazz band, is to take out the drummer. An ...

1,398

Article: Interview

Harris Eisenstadt: From Mbalax to Canada Day

Read "Harris Eisenstadt: From Mbalax to Canada Day" reviewed by Clifford Allen


Over the past decade, drummer, bandleader and composer Harris Eisenstadt has been a force in improvised music, active in both Los Angeles and New York (where he now resides). It's a testament to his creativity and energy that his ensembles have run the gamut from free-bop in the vein of post-Blue Note small groups, to orchestral ...

336

Article: Album Review

Ben Perowsky Quartet: Esopus Opus

Read "Esopus Opus" reviewed by Troy Collins


A ubiquitous presence in the Downtown New York scene, drummer Ben Perowsky founded and co-led the proto-fusion band Lost Tribe, served in Elysian Fields, Joan as Policewoman, and the Lounge Lizards, while continuing to perform sideman duties for Steven Bernstein, Uri Caine, Dave Douglas, and John Zorn, among others. An artist with eclectic interests, ...

216

Article: Album Review

Fred Hess Big Band: Hold On

Read "Hold On" reviewed by Troy Collins


Originally from Abington, Pennsylvania, tenor saxophonist Fred Hess has resided in Denver, Colorado since 1981. Though Denver is not often considered a hotbed of progressive jazz, Hess, as founder of the Boulder Creative Music Ensemble and Denver's Creative Music Works Orchestra, has fashioned an alternative to the East Coast/West Coast paradigm. With 14 albums as a ...

839

Article: Extended Analysis

John Hollenbeck Large Ensemble: Eternal Interlude

Read "John Hollenbeck Large Ensemble: Eternal Interlude" reviewed by Raul d'Gama Rose


John Hollenbeck Large Ensemble Eternal Interlude Sunnyside Records 2009 The music on Eternal Interlude by drummer John Hollenbeck cannot be described in one word, but if it could that word would be “poignant." But of course, one word is not enough, so in settling for two, those would ...

464

Article: Album Review

John Hollenbeck Large Ensemble: Eternal Interlude

Read "Eternal Interlude" reviewed by Troy Collins


In addition to leading the unclassifiable Claudia Quintet and performing numerous sideman duties, composer and percussionist John Hollenbeck is renowned for his inimitable multi-layered writing. Hollenbeck studied under composer Bob Brookmeyer before charting a unique path in creative improvised music, incorporating elements of minimalism, post-rock and indigenous folk music into his eclectic compositions. As leader of ...

121

News: Interview

AAJ Interviews Some of Today's Most Intrepid Big Band Leaders

AAJ Interviews Some of Today's Most Intrepid Big Band Leaders

The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. In the post-World War II era music began to change, ...

1,293

Article: Interview

Large Ensembles: Is There a Place in This Large Music World?

Read "Large Ensembles: Is There a Place in This Large Music World?" reviewed by R.J. DeLuke


The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. It gave rise to iconic band leaders like Fletcher Henderson, ...

357

Article: Album Review

John Hollenbeck Large Ensemble: Eternal Interlude

Read "Eternal Interlude" reviewed by Mark F. Turner


Like fragments of crystal, John Hollenbeck's large ensemble casts angular lines, unusual shapes and refracts music (rather than light) differently than typical jazz big bands. The prolific drummer/composer's progressive slant has been at the core of The Claudia Quintet's For (Cuneiform, 2007) and Semi-Formal (Cuneiform, 2006); music marked by enigmatic ideas of swing, modern chamber music ...

214

Article: Album Review

Scott Fields Ensemble: Samuel

Read "Samuel" reviewed by Troy Collins


The works of Samuel Beckett have been a recurrent source of inspiration for guitarist Scott Fields. Samuel is Fields' second effort at conveying the master's prose through pure sound, following Beckett (Clean Feed, 2007). Transposing the original text of Beckett's plays into precise pitches, chords and time signatures, Fields transforms Beckett's wordplay into melodies and harmonies ...


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