Home » Jazz Articles » Ben Perowsky Quartet: Esopus Opus

336

Album Review

Ben Perowsky Quartet: Esopus Opus

By

Sign in to view read count
Ben Perowsky Quartet: Esopus Opus
A ubiquitous presence in the Downtown New York scene, drummer Ben Perowsky founded and co-led the proto-fusion band Lost Tribe, served in Elysian Fields, Joan as Policewoman, and the Lounge Lizards, while continuing to perform sideman duties for Steven Bernstein, Uri Caine, Dave Douglas, and John Zorn, among others.

An artist with eclectic interests, the debut of Perowsky's new quartet, Esopus Opus, features myriad genres—from classic rock covers and Brazilian favorites to his own mercurial originals. Interestingly, Perowsky's group inadvertently mirrors fellow percussionist John Hollenbeck's flagship ensemble, the Claudia Quintet. Both line-ups feature Chris Speed (clarinet, tenor saxophone), Ted Reichman (accordion), and Drew Gress (bass), with Hollenbeck's Quintet adding vibraphonist Matt Moran to the mix.

Despite similarities in personnel, Perowsky approaches writing for the same basic instrumentation from a different angle, drawing deeper from folk forms and popular music than Hollenbeck, whose more formal approach embraces aspects of neo-classicism and minimalism. Like two sides of the same coin, Perowsky uses a similar palette to obtain different results; his appealingly ragged tunes are more akin to punk rock than classical music.

A latecomer to jazz, Perowsky spent his formative years playing in rock bands. His choice of cover tunes reveals a fondness for the genre, with a knack for creatively reinterpreting straightforward pop melodies without abstracting them beyond recognition. Jimi Hendrix's "Manic Depression" is given a spirited collective treatment, while George Harrison's epic "Within You Without You" slowly builds in poignancy. Bolstered by Reichman's soaring accordion, Hermeto Pascoal's lush "Nem Um Talvez" enjoys a colorful reading, while The Beatles' tender "Flying" exemplifies unadorned splendor.

Eclectic to a fault, the album's original tunes veer from funky blues ("Key Lime") and cartoonish ebullience ("Esopus Opus") to testimonial Gospel ("Murnau on the Bayou") and a modal waltz ("Present Distance"). Perowsky even internalizes the classic rock of his youth, liberally quoting Argent's 1972 hit "Hold Your Head Up" on the moody closer, "Red Hook."

Beyond the catchy tunes, the record's lasting appeal rests in the stellar capabilities of Perowsky's veteran sidemen. Gress' subterranean bottom end complements the leader's percussive thrashings with machine-like precision while Reichman's rich chordal voicings lend an exotic air; his sonorous pedal tones provide the group with a vast, expansive sound. Playing clarinet for the majority of the session, Speed delivers a number of breathtaking statements, most notably on the John Coltrane-esque "Present Distance," which features a lengthy, unfettered tenor solo—something one rarely hears on his own records.

A compelling statement from an up and coming new voice, Esopus Opus is a raw, enthusiastic exploration of the endless possibilities of contemporary music.

Track Listing

Key Lime; Manic Depression; Within You Without You; Esopus Opus; Perolas; New Um Talvez; Flying; Murnau On The Bayou; Present Distance; Red Hook.

Personnel

Ben Perowsky: drums, Chris Speed: clarinet, tenor saxophone; Ted Reichman: accordion; Drew Gress: bass.

Album information

Title: Esopus Opus | Year Released: 2009 | Record Label: Skirl Records

Post a comment about this album


FOR THE LOVE OF JAZZ
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Tags

More

The Source
Kenny Barron
Espérame en el Cielo
Gilbert Castellanos
Permeance
Wade Matthews / Abdul Moimême

Popular

Exude
Francesca Han & Ralph Alessi
Baker's Dozen
The Muffins
Blues & Bach: The Music Of John Lewis
Enrico Pieranunzi Trio & Orchestra
The Border
Douwe Eisenga

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and includes upcoming jazz events near you.