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Clean Feed 2018
by Mark Corroto
Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...
Metastasio Jazz 2018
by Neri Pollastri
Metastasio Jazz 2018 Varie sedi Prato 26.1-19.2.2018 “Lingue oltre i confini" era il tema attorno al quale si è quest'anno strutturata la rassegna pratese Metastasio Jazz, giunta alla ventitreesima edizione e della quale ci ha parlato Stefano Zenni in una recente intervista. Un tema ben incorniciato dai concerti d'inizio e ...
Fred Hersch: Life, Music, and the Creative Process
by Victor L. Schermer
Since his arrival on the jazz scene in the 1970s, pianist Fred Hersch has developed from a sought after sideman to a multi-Grammy nominated jazz icon, creative force, and significant composer of songs, jazz standards, and original complete works, the latter including Leaves of Grass (Palmetto, 2005), based upon the poetry of Walt Whitman. As one ...
Borderlands Trio: Asteroidea
by Mark Corroto
I'll venture a guess that the listing of the names on Borderlands Trio's cover is arranged in alphabetic order, Crump, Davis, then McPherson. That is because nothing in the performance reveals a leader, nor a dominant signature. For adventurous listeners, isn't that exactly what we want from our improvisors? Let's stick with just Borderlands ...
Fred Hersch's Leaves Of Grass at Jazz at Lincoln Center
by Dan Bilawsky
Fred Hersch's Leaves Of Grass The Appel Room at Jazz at Lincoln Center New York, NY September 15, 2017 Walt Whitman's Leaves Of Grass may be the ultimate contemplation on man's commonalities and singularities, underscoring what binds all of humanity and what distinguishes each of us as individuals. And so it's ...
Michael Attias: Nerve Dance
by John Sharpe
Like many, Michaël Attias cultivates multiple outlets for his vibrant alto saxophone. Having moved to NYC in 1994, Attias is now inescapably associated with that city's downtown scene. What unites his Quartet with his other outfits like Renku and Spun Tree is quality. In part that's down to the variety and imagination of the frameworks Attias ...
Michaël Attias: Nerve Dance
by Dan Bilawsky
Methodical design, rough-and-tumble play, and thoughtful exchange are often viewed as mutually exclusive concepts in jazz. Saxophonist Michaël Attias' Nerve Dance, however, obliterates that line of thinking and any potential obstacles that could separate those realms. This is a work that's cultured, contumacious, and conversational in nature. It's principled art unbound. Nerve Dance ...
Michaël Attias Presents "Nerve Dance" Featuring Aruán Ortiz, John Hébert & Nasheet Waits
Available March 10, 2017 on Clean Feed Records “Like a high-quality electronic product manufactured by the Panasonic Corporation, the career of alto saxophonist Michaël Attias has always involved being slightly ahead of his time...”—Ken Waxman, JazzWord Nerve Dance—saxophonist/composer/bandleader/conceptualist Michaël Attias’ sixth album (available on Clean Feed Records, March 10, 2017), which deals with the aesthetics of ...
2016: An Ivo Perelman Marathon
by Mark Corroto
The original marathoner, Pheidippides in 490 BC, is believed to have run from Marathon, where a battle was being fought, to Athens to inform an assembly that the Persians had been defeated. It certainly was quite the achievement, taking into account the sorry state of footwear at the time and lack of prepackaged gels and energy ...
John Escreet: The Unknown
by Budd Kopman
Improvisation is the core of jazz, and hearing it live is the best possible experience. However, there are different levels of improvisation, ranging from stretching the melody, to playing over a tune's changes, or taking off during a particular composition. The presence of melody, harmony and rhythm as well as structure can vary to a wide ...
