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153

Article: Album Review

Pascal Marzan /John Russell: Translations

Read "Translations" reviewed by John Eyles


"By the way, if you don't like guitars you won't like this CD!" So says guitarist John Russell, in his sleeve note to Translations, laying out the truth in typically plain, simple terms. Russell is part of the generation of improvisers who came together in London in the '70s and have been mainstays of the capital's ...

137

Article: Album Review

Charlotte Hug: Slipway to Galaxies

Read "Slipway to Galaxies" reviewed by John Eyles


On parts of her last Emanem release, Fine Extensions (2010)--a duo with cellist Fred Lonberg-Holm--in addition to playing her customary viola Charlotte Hug also used her voice. She sang in a quasi-operatic style as well as vocalizing, to produce eerie, other-worldly sounds, her voice combining with and complementing the strings to good effect. Now, on Slipway ...

174

Article: Album Review

Trevor Watts & Veryan Weston: 5 More Dialogues

Read "5 More Dialogues" reviewed by John Eyles


The title 5 More Dialogues indicates that this is a sequel to 6 Dialogues (Emanem, 2002), the album which marked saxophonist Trevor Watts' first free improv recording in about two decades. In the years since the release of 6 Dialogues, Watts and pianist Veryan Weston have become an established improvising duo, although their musical association dates ...

272

Article: Album Review

Adam Linson: Figures and Grounds

Read "Figures and Grounds" reviewed by John Eyles


The personnel of double-bassist Adam Linson's System Quartet is so good that it sets the juices flowing even before a note of music has been heard. Figures and Grounds was recorded in January 2008, when Linson still lived in Berlin, and he took full advantage of his adopted city's resources, recruiting trumpeter Axel Dörner, bass clarinetist ...

281

Article: Album Review

Okkyung Lee & Phil Minton: Anicca

Read "Anicca" reviewed by John Eyles


Following previous Dancing Wayang releases from the duo of John Edwards and Chris Corsano, and a solo release from Mats Gustaffson (with another from Peter Evans in preparation), the label continues its successful series of freely improvised music with this first recorded meeting of vocalist Phil Minton and cellist Okkyung Lee, recorded at Eastcote Studios in ...

277

Article: Extended Analysis

London Improvisers Orchestra: Lio Leo Leon

Read "London Improvisers Orchestra: Lio Leo Leon" reviewed by John Eyles


London Improvisers Orchestra Lio Leo Leon Psi 2011 Each year at London's Freedom of the City (FOTC) festival of improvised music, one of the most eagerly anticipated highlights is the Sunday evening appearance of the London Improvisers Orchestra (LIO). Although the LIO meets monthly throughout the rest of the year, ...

457

Article: Album Review

Boom Box: Jazz

Read "Jazz" reviewed by John Eyles


Surprises can come in the most unlikely guises and under the least likely names. Jazz is the latest example of that old maxim to never judge a book by its cover. The combination of the group name Boom Box--conjuring up images of hip-hop and oversized ghetto blasters--and a graphic style reminiscent of Peter Brötzmann albums does ...

183

Article: Album Review

Agusti Fernandez & Joan Saura: Vents

Read "Vents" reviewed by John Eyles


Although their Trio Local, with saxophonist Liba Villavecchia, has been well-documented for over a decade, Vents is the first duo recording from pianist Agustí Fernández and Joan Saura, on live electronics and sampling keyboard. The album was recorded in Barcelona, between July 2009 and February 2010. It is well-titled, and so are its tracks, which share ...

87

Article: Album Review

Veryan Weston: Different Tesselations

Read "Different Tesselations" reviewed by John Eyles


Different Tesselations must be considered as a companion piece to Tesselations for Luthéal Piano (Emanem 2003), the album on which Veryan Weston debuted his sequence of 52 closely linked pentatonic scales in a piece he called “Tesselations"--so named, he said, because it “contains structures which have, by coincidence, similarities with some of the principles of geometric ...

119

Article: Album Review

John Butcher / Gino Robair: Apophenia

Read "Apophenia" reviewed by John Eyles


The partnership of John Butcher and Gino Robair dates back to 1997, their first joint release appearing soon after. It is some years since they released their last duo recording-- New Oakland Burr (Rastascan, 2004)--but Robair was part of Butcher's seven-piece group, which recorded somethingtobesaid (Weight of Wax, 2009) at the Huddersfield Festival in 2008. Now ...


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