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Article: Album Review

Soft Machine Legacy: Burden of Proof

Read "Burden of Proof" reviewed by Glenn Astarita


Subsequent to its psychedelic late 60s existence, Soft Machine redeployed its musicality into a hybrid form of British prog-rock meets avant-garde jazz and jazz fusion schema. The band invoked a signature sound, partly due to keyboardist Mike Ratlledge's fuzz-toned Lowry organ performances and other prominent factors. A chief proponent of Britain's fabled Canterbury music scene, many ...

6

Article: Extended Analysis

Soft Machine Legacy: Burden of Proof

Read "Soft Machine Legacy: Burden of Proof" reviewed by Dave Wayne


Over the course of three albums released between 1968 and 1970, the British band Soft Machine transformed from one of the trippiest and mind-bendingly inventive rock bands of the psychedelic era into a raging musical torrent of free jazz, thunderous prog rock, and high- concept minimalist-inspired avant-garde stylings. With the dizzying changes in musical direction came ...

News: Recording

Soft Machine Legacy Releases New Studio Album "Burden Of Proof"

Soft Machine Legacy Releases New Studio Album "Burden Of Proof"

Soft Machine Legacy makes their most powerful statement to date, delivering an album of epic proportions and their first studio output since 2007's Steam. Infectious grooves, undeniably hip vibes and sizzling performances dominate the outing, as the veteran progressive music masters continue to break new ground and offer listeners yet more previously-unseen facets of their dynamic ...

239

Article: Record Label Profile

MoonJune Records: A Decade of Progressive Rock Documentation

Read "MoonJune Records: A  Decade of Progressive Rock Documentation" reviewed by Mark Redlefsen


On a moon of this past June, appropriately enough, Leonardo Pavkovic, owner of the progressive jazz label MoonJune Records, gave All About Jazz an interview at the label's office in Union Square, New York City. The name MoonJune Records, which Pavkovic started back in 2001, is taken from the title of a song, “Moon In June," ...

257

Article: Album Review

Soft Machine: Tales of Taliesin: The EMI Years Anthology 1975-1981

Read "Tales of Taliesin: The EMI Years Anthology 1975-1981" reviewed by John Kelman


With the release of Bundles (Harvest, 1975), Soft Machine moved more definitively into the riff-based fusion territory that keyboardist/reed man Karl Jenkins had begun pushing the band since his arrival on Six (Sony, 1973). With reeds becoming increasingly less dominant, and the group's only remaining founding member, keyboardist Mike Ratledge, relegated to a backline position, this ...

183

Article: From the Inside Out

Mama Africa

Read "Mama Africa" reviewed by Chris M. Slawecki


If you wanted to travel to--oh, let's just say--Tanzania and then from Tanzania to India, then to Puerto Rico, to England, then Spain, to Peru, then to South Africa, to personally experience their musical varieties both garden and exotic, you could do it by cashing in, with rounding, about 28,690 frequent flier miles. Or ...

131

Article: Album Review

Soft Machine Legacy: Live Adventures

Read "Live Adventures" reviewed by Chris M. Slawecki


Many have found elements of jazz in the music of European progressive rock artists such as Gong, Can, King Crimson and even, to a certain improvisational extent, Yes. Soft Machine Legacy continues this...umm, legacy with an amoeba-like lineup (mostly) from alumni of the original progressive instrumental group Soft Machine: guitarist John Etheridge, bassist Roy Babbington and ...

196

Article: Album Review

Soft Machine: Alive & Well: Recorded in Paris

Read "Alive & Well: Recorded in Paris" reviewed by John Kelman


Despite the controversy that plagued the ever-shifting musical persona of Soft Machine during its 15-year run, the benefits of time and hindsight have largely proven the value of every incarnation--albeit best assessed independently, rather than as part of a single continuum. 1978's Alive & Well: Recorded in Paris was the last of a three-record run on ...

177

Article: Album Review

Theo Travis: All I Know: An Anthology

Read "All I Know: An Anthology" reviewed by John Kelman


He's been on the scene for twenty years, but it's only been in the past few that Theo Travis has risen to prominence beyond the expanding group of musicians who call him up when they need a saxophonist/flautist with jazz chops but a rock sensibility--and an appreciation of the organic marriage of technology with acoustic instruments ...

294

Article: Album Review

Tassos Spiliotopoulos: Archipelagos

Read "Archipelagos" reviewed by Ian Patterson


Since moving to London in 2000 to study music, Greek guitarist Tassos Spiliotopoulos has built a solid reputation as a technically gifted musician, building an impressive résumé of collaborations in a relatively short time, working with drummer/keyboardist Gary Husband, saxophonist Tim Garland, singer/multi-instrumentalist Eileen Hunter and guitarists John Parricelli, Mike Outram and John Etheridge. His debut ...


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