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Now's the time III: The best in contemporary jazz from France and [tax haven] Luxembourg
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by John Ephland
Every. One. Of. These. Tracks. Is. A. Keeper. To be swept up in a fervor when listening to music (always an unexpected pleasure) and finding it next to impossible not to write about the experience--during as well as after--is the dream all music journalists crave and celebrate every time they find themselves returning to that zone. ...
Wayne Horvitz/The Royal Room Collective Music Ensemble: At The Reception, Wayne Horvitz: 55: Music And Dance In Concrete
by John Ephland
Wayne Horvitz is a musical universe unto himself. Has been for well over 35 years. And it's not just his stick-to-it-ive-ness that continues to make his music so damn engaging, a contrariness redefined. Consider these two recent releases as prime examples. The composer/bandleader/keyboardist (who turns 60 in 2015) has a musical history that just might grab ...
Marc Ribot Trio: Live At The Village Vanguard
by John Ephland
Yours truly is truly ashamed to be reporting on this recording at such a late date. That said, Marc Ribot: Live At The Village Vanguard is the kind of recording that, if you weren't, makes you wish you were there. Yes, it's a Live at the V-squared, which may remind you of other now-celebrated recordings at ...
Exit 0 Jazz Festival: Music All Over The Map
by John Ephland
Exit 0 International Jazz Festival Cape May, New Jersey November 7-9, 2014 It's a festival by the bay. Actually, it's by a cape. Or in a cape. Cape May, New Jersey, to be exact. And it has a history. A history by another name as well as its own. For those of ...
Bill O'Connell: Imagine
by John Ephland
Bill O'Connell's version of the standard “Willow Weep For Me" is one of those rare items: playing totally against type as a Latin burner with that classic, mesmerizing two-chord piano vamp, the only thing missing would be someone actually trying to sing this lament amidst the happy sprawl of players and arrangement O'Connell's dished up. Unlike ...
Kali. Z. Fasteau: Piano Rapture
by John Ephland
What makes Piano Rapture so engaging has to do with a combination of moods, movements and magic. Pianist Kali Z. Fasteau takes you on a musical journey into both past and present, with sounds that can be lyrical and rambunctious, quiet and rowdy. Featuring some exquisite wailing and sailing from tenor saxophonist Kidd Jordan, with healthy ...
Dave's Eight Track Mind
by John Ephland
Dave Stryker Crystal Run and Luna Stage Middletown, NY and West Orange, NJ November 2, 2014 It was a tale of two cities. Or two bands, to be more specific. Or two variations on a theme, to come that much closer to describing what went down on this first Sunday in ...
Vanguard Jazz Orchestra: OverTime: Music of Bob Brookmeyer
by John Ephland
There's a richness, a depth, a density to his varied charts. And the soloists and ensemble passages inside those charts! Such has always been the case with the Vanguard Jazz Orchestra, then, and now. For real, gliding from the spirit of Thad Jones and Mel Lewis, this edition of the VJO now embraces another one of ...
Connie Crothers: Concert In Paris
by John Ephland
Connie Crothers' piano sounds like nothing you've heard before. Sure, it's acoustic, she plays melodies, she can be inside or outside the music. One thing she isn't, though, is wishy-washy. One of her latest, Concert In Paris, is a solo effort. And for anyone who loves the intimacy of a solo-piano recital, this one more jazz ...
Annie Ross: To Lady with Love
by John Ephland
Her spoken-word introduction is like an incantation. “To Lady" may only be 46 seconds long, but it has a lasting impact on everything that follows. Veteran singer (and actor) Annie Ross' To Lady With Love has the potential to unsettle, calm the nerves, transport you to another time and place. Whatever it does, if you let ...
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