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Article: Album Review

Chicago/London Underground: A Night Walking Through Mirrors

Read "A Night Walking Through Mirrors" reviewed by Vincenzo Roggero


Per festeggiare i vent'anni di attività il Chicago Underground Duo declina la sua ennesima versione e ci lascia un ulteriore testimonianza di potenza creativa, di visionarietà e di musica tout-court di altissimo livello. Nell'aprile 2016, durante una due giorni di esibizione al Cafè Oto di Londra Rob Mazurek e Chad Taylor invitano sul palco John Edwards ...

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Article: Live Review

Udin&Jazz 2017

Read "Udin&Jazz 2017" reviewed by Neri Pollastri


Udine Udin&Jazz 2017 Varie sedi 4-8.7.2017 Era dedicata alle contaminazioni con la musica etnica l'edizione 2017 di Udin&Jazz, la ventisettesima della rassegna friulana sottotitolata “EthnoShock!." Come al solito ampio spazio era riservato alle eccellenti proposte più recenti dei musicisti del nord est italiano. Proprio un paio di queste hanno fatto ...

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Article: Album Review

Chicago / London Underground: A Night Walking Through Mirrors

Read "A Night Walking Through Mirrors" reviewed by Karl Ackermann


As an artist and a surveyor of a broader universe, Rob Mazurek focuses on the journey rather than on planting a flag in undiscovered territories. Whether on his multi-instrumental solo work Mother Ode (Corbett vs Dempsey, 2014) or in the large ensemble formation of his most recent Exploding Star Orchestra project, Galactic Parables: Volume 1 (Cuneiform, ...

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Article: Album Review

Francois Carrier: Freedom is Space for the Spirit

Read "Freedom is Space for the Spirit" reviewed by Budd Kopman


Saxophonist Francois Carrier had quite a week in late May of 2014. It began when he and his long-time percussionist Michel Lambert played with bassist John Edwards and pianist Steve Beresford at the Vortex Jazz Club in London on May 25th and ended with the duo performing with acoustic bassist Rafal Mazur at the Alchemia Jazz ...

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Article: Album Review

Francois Carrier: OUTgoing

Read "OUTgoing" reviewed by Budd Kopman


In the realm of Western music, the role of the performer has been rather circumscribed. In Classical music, the composer is king and the range of “allowed" expression rather limited. For most of its history, jazz performers relied on tunes as the basis for their improvisations, and thus, the composer (or tunesmith) was still ...

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Article: Album Review

Julie Kjaer 3: Dobbeltgaenger

Read "Dobbeltgaenger" reviewed by John Sharpe


An increasingly visible presence on the London scene, Danish saxophonist Julie Kjaer's latest move can only accelerate that prominence. For her third outing as leader she has enlisted the support of two of Europe's most accomplished improvisers in bassist John Edwards and drummer Steve Noble, who can also be heard fuelling the likes of Peter Brötzmann ...

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Article: Album Review

Defibrillator & Peter Brötzmann: Conversations About Not Eating Meat

Read "Conversations About Not Eating Meat" reviewed by Mark Corroto


Imagine the fight posters we could create for the various musical boxing matches organized for saxophonist Peter Brötzmann. His profile picture would be facing a fellow competitor with all the relevant statistics--height, weight, reach, and age. The boxing poster image often comes to mind when he grapples with plugged-in artists and those dealing with electronics, as ...

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Article: Album Review

Julie Kjaer 3: Dobbeltgaeenger

Read "Dobbeltgaeenger" reviewed by Hrayr Attarian


Danish multi-reed player Julie Kjaer blends an infectious enthusiasm with innovative ideas that, together with hersuperb instrumental prowess, result in captivating works. Her second release as a leader, the stimulating Dobbeltgaeenger is the perfect showcase of her superb skills and brilliant musicianship. Sticking only to alto saxophone, a woodwind she has thoroughly mastered, Kjaer lets loose ...

Article: Album Review

Moppa Elliott: Still, Up In The Air

Read "Still, Up In The Air" reviewed by Luca Canini


Non è facile volere bene a quel brontolone del contrabbasso quando decide di mettersi in proprio. Il legno, le corde, l'archetto, il suono goffo e introverso, le note slabbrate, imprecise, la fatica immane di cavare sangue dal più rapa degli strumenti: poche altre situazioni in ambito improvvisativo sanno essere più scorbutiche e meno amichevoli. Eppure la ...

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Article: Jazzin' Around Europe

Bergamo Jazz 2016

Read "Bergamo Jazz 2016" reviewed by Francesco Martinelli


For the first time under the artistic direction of trumpeter Dave Douglas, the 38th edition of the Bergamo Jazz Festival--one of Europe's longest running jazz events--invaded the ancient and noble city in the North of Italy with a joyous celebration of the music's diversity. The beautifully restored Teatro Sociale in the Città Alta--Bergamo's ancient ...


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