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Gary Bartz At 80: On Jazz Is Dead, Miles Davis And Why Improvisation Is A Dirty Word
by Rob Garratt
It's hard to talk to Gary Bartz about music. Not because he's a difficult or reluctant intervieweequite the opposite. In fact, the 80-year-old saxophonist is refreshingly unguarded and garrulous when looking back over his formidable six-decade musical career. It's just finding the right words that's the tricky part. Like many musicians, jazz isn't one ...
Dan Willis, Paul Dunmall, Amok Amor & Treesearch
by Maurice Hogue
Many jazz musicians in Poland consider playing and/or recording the music of Poland's father of jazz, Krzysztof Komeda, a rite of passage. A similar feeling exists with most jazz musicians anywhere about the music of Thelonious Monk, John Coltrane, Ornette Coleman and more. This episode features some recordings that follow that path. Saxophonist Dan Willis tackles ...
Moers Festival Interviews: Pat Thomas
by Martin Longley
In 2020, the Moers Festival in Germany presented one of the first full post-lockdown events, with its performers physically in place, and its four-day programme resolutely running in the accustomed Eventhalle venue. There was a stage at each end of this cavernous space, with the French-German Arte television crew filming for broadcast on its channel, as ...
Don Cherry, Big Monitors, John Coltrane, Emanuele Passerini
by Ludovico Granvassu
With today's show we focus directly or indirectly on current and past masters of the creative scene, from Don Cherry to John Coltrane and from William Parker to Tony Allen. Happy listening! Playlist Ben Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Big Monitors Hunk Pappa Blues / Junk ...
Jazz in Britain: The Back Story
by Chris May
Jazz In Britain is a not-for-profit label that curates and releases previously unissued studio, performance and broadcast recordings made in the mid-1960s and '70s by the movers and shakers of the contemporary British jazz sceneproving along the way that the radical new wave jazz emanating from London in 2021 comes from a distinguished lineage.
Serendip Quartet: Queen Of Fire
by Chris May
This is the second album from Belgian tenor saxophonist Arnaud Guichard's Serendip Quartet. The first, The Tale (Impeka, 2018), received a deserved four-star review on All About Jazz, and Queen Of Fire is just as good, if not better. The first album's singular intersection of Ben Webster and mild hallucinogenics is still there to be savoured, ...
Instrumental Duos
by Karl Ackermann
The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...
Thelonious Monk: A Thriving Legacy
by Doug Hall
If legendary jazz musicians were collected together in one giant jigsaw puzzle and each musician was one pieceThelonious Monk's individual piece would be impossible to cut out. As a singular artist, his shape or place in jazz is too uniquely non-conforming. From a musical and historical standpoint, he is recognized as one of the ...
Carla Marciano: Psychosis - Homage to Bernard Herrmann
by Jerome Wilson
On this CD Italian saxophonist Carla Marciano pays tribute to a lifelong influence, the music of film soundtrack composer Bernard Hermann. Hermann wrote a lot of significant scores in his time but Marciano concentrates on his music for thrillers. She mostly deals with his scores for Alfred Hitchcock, but also tackles his music for Martin Scorsese's ...
Luca Mannutza trio & Maurizio Giammarco @ Jazz Just Like This
by Angelo Leonardi
Luca Mannutza Trio con Maurizio Giammarco Jazz Just Like This 2021 Nightingale Studios, Roma 9.4.2021 Venerdi 9 aprile, in concomitanza con la nascita della Birdbox Records si è inaugurata la prima rassegna jazz italiana in streaming. Un'iniziativa lodevole che cerca di rispondere al forzato--e per molti aspetti ingiustificato, a mio parere--annuale ...





