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The Complete Joe Henderson Blue Note Studio Sessions Now Available on Mosaic Records

When you get your copy of Mosaic’s new five-CD collector’s set, The Complete Joe Henderson Blue Note Studio Sessions, you’ll be holding a master key to unlocking 1960s jazz. That’s a big statement. But when you consider how much was happening from 1963 to 1966, the years covered by this collection, and contemplate how many different ...
Clifford Brown’s Trumpet and One Summer in Atlantic City

by Arthur R George
Part 1 | Part 2 For 22-year-old trumpeter Clifford Brown, the summer of 1953 in Atlantic City, New Jersey, was transformative. Playing with bebop elders, he cumulatively opened the door for what came next: a groove-oriented swinging style, in which small groups used structured arrangements like big bands, with room for improvisation, but less ...
Marion Brown: Why Not? Porto Novo! Revisited

by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
Albert Ayler & New York Contemporary Five: Revisited, Remastered, Resplendent

by Chris May
The Swiss-based ezz-thetics label was launched in 2019 by Hat Hut Records' founder, Werner X. Uehlinger, and its Revisited strand is a jazz aficionado's dream. The series is devoted to landmark avant-garde recordings from the 1960s, and ezz-thetics does more than simply reissue them. Peter Pfister, Uehlinger's longtime mastering Jedi, improves the audio quality of the ...
Adam Kahan: Capturing the Essence of Jazz in a Film

by Victor L. Schermer
Too many are the documentaries produced and directed in a formulaic way using archival clips, photos, and hastily staged interviews that are intended to make a series of facts evident and bring out a few key points. At their best, they give a reasonably realistic illustrated depiction of people, places, and things. That is why a ...
Moers Festival 2021

by Phillip Woolever
Moers Festival Moers, Germany May 21-24, 2021 In a year that passed since the previous Moers Festival, the Covid 19 pandemic caused a lot of bad news regarding concert cancellations, closed venues, and further issues in the already challenging lives of professional musicians around the world. Thus, the success of this ...
Various Artists: Impulse Records: Music, Message & The Moment

by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
The Wynton Marsalis Septet at The Sandler Center for the Performing Arts

by Mark Robbins
The Sandler Center for the Performing Arts is a 1300 seat theater that, due to Covid, has been closed to performances for over a year. With Covid restrictions lifting and live music slowly making a come back, what better way to start than with The Wynton Marsalis Septet including Wynton Marsalis, Chris Crenshaw, Victor Goines, Carlos ...
Scottish National Jazz Orchestra Plays Ayler at St. Giles' Cathedral

by Martin McFie
Scottish National Jazz Orchestra St. Giles' Cathedral Where Rivers Meet Edinburgh, Scotland May 15, 2021 Albert Ayler was an expressive and accomplished voice in the free jazz movement who was greatly respected by his peers. None other than John Coltrane encouraged the tenor saxophonist to join Impulse! records and even ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana

by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...