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Busting Myths in Jazz History: Focus on the Music
by Rob Foster
In the tradition of providing the basis of a liberal arts education, it is common for institutions of higher education in the United States to offer some type of music appreciation course in the undergraduate curriculum. In some instances, this may be an elective towards fulfilling a required number of credits within a larger category, such ...
Sun Ra Arkestra at SFJAZZ Center
by Harry S. Pariser
Sun Ra Arkestra SFJAZZ Center Summer Season San Francisco July 18-21, 2023 Though on the surface, Dead & Company and the Sun Ra Arkestra--the first a Grateful Dead offshoot focusing on rock tunes featuring extended jams, the other an avant-garde jazz ensemble that remains ahead of its time--might seem really ...
Audible Spirits: Audible Spirits
by Mark Corroto
Audible Spirits is not your father's or for that matter your grandmother's book of standards. Vibraphonist Matt Moran, trombonist Curtis Hasselbring, and vocalist Sarah Elizabeth Charles reinvent, reinterpret, and definitely reimagine eight classic jazz compositions. For a living jazz musician of any age, there is a book of songs that is de rigueur in jazz education. ...
Alex Coke & Carl Michel Sextet: Emergence
by Jack Bowers
Emergence, the latest album by the Texas-based Alex Coke & Carl Michel Sextet, is by and large chamber jazz, veering often into the realms of avant-garde and free improvisation. The standard of musicianship is high, the urge to listen a second time rather less so--an opinion that must be qualified by the admission that it expresses ...
Rob Mullins, Jesse Ogle Of Nu Bass Theory, and Sarah Mount
by Steven Roby
This episode of Backstage Jazz features interviews with musicians Rob Mullins, Jesse Ogle, Sarah Mount along with Henry Rollins talking about the importance of John Coltrane. On Backstage Jazz, you'll hear a blend of contemporary and classic jazz and a touch of soul, funk, and world music, all selected by music journalist and host Steven Roby.
Why Hard Bop?
by AAJ Staff
This article was first published on All About Jazz on January 1998.When trying to investigate jazz, all the classifications and categories can be a bit confusing. What do they mean when they say “hard bop?" How is it different from other types of jazz? Although a definition of the music may not necessarily enhance ...
A Conversation with Don Braden
by AAJ Staff
This interview was first published in two parts at All About Jazz on May 1999. In this interview, we chat with Don Braden about his views on MP3 files, his relationship with Bill Cosby, the impact Kenny Kirkland had on his latest album for RCA Victor, Fire Within, and a host of other related ...
Jacques Schwarz-Bart: The Harlem Suite
by John Chacona
Tenor saxophonist Jacques Schwarz-Bart has lived in Paris, Senegal, and Switzerland as well as his native island of Guadeloupe, but his 18 years in Harlem were crucial to his life and career. It was there that he found himself at an inflection point in the dynamic music scene of the late '90s, playing with such transformative ...
David Borgo: Pathika
by Dan McClenaghan
San Diego's David Borgo, a top-tier jazz saxophonist and an ethnomusicologist with a professorship day job at the University of California at San Diego, says, “Ethnomusicology is like the anthropology of music." He puts this concept into practice with his teaching for the “Semester At Sea." This educational cruise program takes students to various ...
John Coltrane & Eric Dolphy, Clemens Kuratle & Francois Bourassa
by Maurice Hogue
The original broadcasts of One Man's Jazz on Taint Radio happen about a month before they are posted on AAJ, so back in June I was excited as many others to play the only track we could from the new Evenings At The Village Gate: John Coltrane With Eric Dolphy. I suspect by now, that album ...
