Home » Jazz Articles » Album Review » Audible Spirits: Audible Spirits
Audible Spirits: Audible Spirits
Our trio of Moran, Hasselbring, and Charles sample and manipulate those Play-A-Long tracks to serve, not tradition, but a new purpose. Duke Ellington's "Satin Doll" with lyrics by Johnny Mercer opens with a sample of Aebersold counting the time signature. Hasselbring's trombone and Moran's vibraphone follow in step before Charles' vocals are heard over the prerecorded piano/bass/drum backing. The 'live' trio finishes the track with solos and Charles' gorgeous vocals. From this simplicity, the trio layers multiple versions of Jerome Kern's "All The Things You Are" on top of each other, almost as if two radios are playing the same version slightly out of sync. Oliver Nelson debuted "Stolen Moments" on The Blues And The Abstract Truth (Impulse!, 1961) with vocalist Mark Murphy adding lyrics in 1978. Our trio samples the dominant Aebersold bass line plus brushes and cymbal work as the foundation for echoey trombone, vibraphone, and vocals to flesh out the melody before applying glitchy effects to end the track. John Coltrane's "Moment Notice" is returned to us as if in a dream. Opening with ghostly vocals, Moran's vibraphone pushes the repeating sampled piano towards the melody with spectral help from Hasselbring and Charles.
With Audible Spirits, Moran, Hasselbring, and Charles make the conventional unorthodox and the traditional novel.
Track Listing
Stolen Moments; Moment's Notice; The Girl From Ipanema; Misty; Like Someone In Love; Satin Doll; All The Things You Are; Peace.
Personnel
Additional Instrumentation
Curtis Hasselbring; electronic manipulation of Jamey Aebersold Play-A-Long recordings; Sarah Elizabeth Charles: effects.
Album information
Title: Audible Spirits | Year Released: 2023 | Record Label: Diskonife
About Audible Spirits
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






