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Take Five With Sinan Bakir
by AAJ Staff
Meet Sinan Bakir:Sinan Bakir is one of the most unique and exciting young jazz guitarists on the scene today. The sound that Sinan is striving for described often as fresh, clean and lively yet intense and full with emotion. Sinan Bakir is hailed not only as a virtuoso player, but also a masterful composer. ...
Jymie Merritt: Dedication Personified
by Victor L. Schermer
Jymie Merritt came up in Philadelphia during the evolution of bebop and hard bop, when the town was a hotbed of musical activity. Players like John Coltrane, Benny Golson, and Philly Joe Jones were getting started there, and musicians like Charlie Parker, J.J. Johnson, Dizzy Gillespie and Miles Davis would come to the city to perform ...
Jonathan Bratoeff & Chris Vatalaro: Chapters
by Chris May
Unexpectedly, a trend has been developing among musicians associated with London's F-IRE collective to revisit the standards repertoire. It's not an area this experimentally inclined body of players usually inhabits, but the results so far--all recorded by duos--make it an engaging diversion. Saxophonist Ingrid Laubrock and pianist Liam Noble were first off the block ...
Take Five With Noah Becker
by AAJ Staff
Meet Noah Becker:Noah Becker is a tenor saxophonist. A resident of New York City since 2004. Becker has recorded with Terry Deane, Kurt Rosenwinkel, George Colligan and many other prominent musicians.Instrument(s): Tenor, alto and soprano sax.Teachers and/or influences? Pat LaBarbera, Bob Mover, Sonny Rollins, Lee Konitz, John Coltrane.I ...
The Sisterhood Of Saxophone Players: Sharel Cassity, Nancy Wright and Pattie Cossentino
by C. Michael Bailey
Once a novelty, women saxophone players have been claiming center stage in the last twenty years. Virginia Mayhew, Idit Shner, Clair Daly and Christine Jensen are among the most notable artists in this sisterhood. Add to this list three more names to consider. Sharel CassityJust for YouDW Records2009 Sharel Cassity ...
Fred Anderson: Staying in the Game
by Raul d'Gama Rose
Of all the tenor saxophonists still making music today, Fred Anderson--like Pharoah Sanders, Archie Shepp and, at times, Wayne Shorter--still has the ability to get under the skin. Anderson's tone is so warm and rich and sensuous that when he sounds a note, it echoes under the body's largest organ, and not necessarily inside the head. ...
Modern Jazz Quartet: Bluesology: The Atlantic Years 1956-1988
by Chris May
Asked to name the most insurrectionary artists associated with the Atlantic label, most jazz fans would probably think first of saxophonists John Coltrane and Ornette Coleman. Pianist John Lewis' Modern Jazz Quartet would come much further down the list. Yet in its own, more velvet manner, the MJQ was as radical as Coltrane and Coleman. When ...
Steve Kuhn Trio with Joe Lovano: Mostly Coltrane
by Dan McClenaghan
The sound of John Coltrane (1926-1967) was a mix of spiritual tranquility and ecstatic fury, sheets-of-sound full force gales and transcendent, tender, Zen-like ruminations from a man intent on communing with God through his music--all of which makes an attempt at communing with Coltrane a nervy quest.Enter pianist Steve Kuhn.In 1960, at ...
Andy Sheppard: Movements in Colour
by Mark Corroto
Booking a flight on Andy Sheppard's airline can be vexing, since the composer/saxophonist has no certain destination and is liable to take off and land anywhere. For the adventuresome musical traveler, this is a good thing. Sheppard burst on the scene in the 1980s with a series of acclaimed discs (now out-of-print) on the Antilles label, ...
Donald Malloy: Spirituality
by C. Michael Bailey
Jazz's most searing spiritual statement is not John Coltrane's A Love Supreme (1964, Impulse!); it was his recording, “Alabama," released a year earlier on Live at Birdland (1963, Impulse!). Written in the wake of the Ku Klux Klan's bombing of the 16th Street Baptist Church in Birmingham on September 15, 1963, “Alabama" was an improvisation on ...
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