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449

Article: Album Review

Patricia Scot: Once Around the Clock

Read "Once Around the Clock" reviewed by Samuel Chell

by Samuel Chell

This reissue has at least two pleasant surprises: first, the revelation that, before discovering and promoting the gold mine that came to be known as smooth jazz, Creed Taylor was a musician of impeccable taste and discrimination; second, the rediscovery of an original vocalist/pianist who once toiled in piano bars in the Chicago-Milwaukee corridor as well ...

662

Article: Extended Analysis

Sylvain Provost: Desirs Demodes

Read "Sylvain Provost: Desirs Demodes" reviewed by Robert J. Lewis

by Robert J. Lewis

Sylvain Provost Désirs Démodés Effendi Records 2009 If you've been among the very best in your chosen field (of jazz piano) over a long career, there will inevitably come a time when what you say carries as much weight as what you play. So when pianist Oliver Jones, ...

392

News: Obituary

Jazz Composer George Russell Dies at 86

Jazz Composer George Russell Dies at 86

BOSTON--Jazz composer George Russell, a MacArthur fellow whose theories influenced the modal music of Miles Davis and John Coltrane, has died. His publicist says Russell, who taught at the New England Conservatory, died Monday in Boston at age 86 of complications from Alzheimer's. Russell was born in Cincinnati in 1923 and attended Wilberforce University. He played ...

567

Article: Take Five With...

Take Five With Jim Miller

Read "Take Five With Jim Miller" reviewed by AAJ Staff

by AAJ Staff

Meet Jim Miller:Administrator of ElectroJazz Music (BMI, 1980); founded Encounter Records in 1986 and Dreambox Media in 1995, resulting in Philadelphia Magazine's choice award for 1999 Best of Philly Jazz Record Label; Produced Evelyn Simms' On My Own, awarded Best Jazz Recording of 1989 by the Philadelphia Music Foundation.Currently working and recording ...

105

News: Interview

Singer Kurt Elling Interviewed at AAJ

Singer Kurt Elling Interviewed at AAJ

When Johnny Hartman and John Coltrane recorded their one and only album together they created a moment that shaped the art of vocal jazz. An instant of beauty transformed into history. Despite a bias towards the original recording, after listening to Kurt Elling's lustrous and drawn butter version, it was clear the past could be silenced ...

799

Article: Interview

Kurt Elling: Recasting Brilliance

Read "Kurt Elling: Recasting Brilliance" reviewed by Cicily Janus

by Cicily Janus

When Johnny Hartman and John Coltrane recorded their one and only album together they created a moment that shaped the art of vocal jazz. An instant of beauty transformed into history. Despite a bias towards the original recording, after listening to Kurt Elling's lustrous and drawn butter version, it was clear the past could be silenced ...

324

Article: Album Review

John Patitucci Trio: Remembrance

Read "Remembrance" reviewed by Chris May

by Chris May

It's true what they say: you can't judge an album by looking at the cover. Contrary to the mood suggested by the title and the monochrome sleeve shot of an autumnal city park, bassist John Patitucci's Remembrance is a warm and perky affair. The album is Patitucci's salute to some departed heroes--saxophonists John Coltrane, Joe Henderson ...

565

Article: Take Five With...

Take Five With Walter Beltrami

Read "Take Five With Walter Beltrami" reviewed by AAJ Staff

by AAJ Staff

Meet Walter Beltrami:Studied performance and jazz composition at Berklee College of Music. Graduated in performance at Musikhochschule Luzern, CH. Three released CDs as a leader with Philology, CamJazz and Re:think-art records. Won the Luca Flores Jazz Price as best Italian soloist at Barga Jazz 2004 and one of the eight finalists world-wide of the ...

220

Article: Album Review

Orjan Hulten Trio: In the City

Read "In the City" reviewed by Jakob Baekgaard

by Jakob Baekgaard

History reveals a long list of venues that have contributed positively to the recorded legacy of some of the greatest figures in jazz. Names such as The Cotton Club, The Village Vanguard, Slug's Saloon, Shelly's Manne-Hole and Bradley's carry their own aura, which is inextricably linked to the magic of the music performed by legends like ...

763

Article: Megaphone

Sam Newsome: To Play or Not to Play the Soprano

Read "Sam Newsome: To Play or Not to Play the Soprano" reviewed by Sam Newsome

by Sam Newsome

When I think about the radical move I made 14 years ago, switching from the tenor to the soprano saxophone, I sometimes ask myself: “What in the hell were you thinking?" Even though in hindsight I look back on my decision with amazement and disbelief, I'm happy to say that it's one I've never regretted. Becoming ...


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