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My Best Jazz Experiences Through the Decades
by Larry Taylor
I've been a jazz fan since I was a teenager in the late forties, growing up in Southern California. From grammar school on, I listened to pop tunes of the day--the hit parade songs and big band music that were in the air on the radio. As I entered junior high, I became ...
Lee Morgan: Search for the New Land
by Matt Marshall
Lee Morgan Search for the New Land Blue Note / Music Matters 2009 (1964) Backed by what may have been his most emphatically modern group, trumpeter Lee Morgan did indeed set out on an exploratory quest in this follow-up to his smash, hard bop gem, The Sidewinder (Blue Note, 1964). ...
Take Five With Stephan Earl
by AAJ Staff
Meet Stephan Earl:Embodying elements of Jazz, Rock, Down-tempo and New Age, composer / producer Stephan Earl's music flows across stylistic boundaries yet is focused on the principals of melody, harmony and rhythm. Enchanting and thought-provoking, Stephan composes music that is harmonically interesting and complex, yet accessible to the average listener. His music is the ...
Hadley Caliman: Straight Ahead
by Dan McClenaghan
Seattle-based tenor saxophonist, Hadley Caliman took a thirty year hiatus from recording before he released Gratitude (Origin Records, 2008). It was an exceptional mainstream set that displayed Caliman's John Coltrane, Dexter Gordon, and Joe Henderson influences, in hints and brief whispers, and reintroduced the saxophonist's own distinctive, full-of-life voicings.With Straight Ahead, he steps out ...
Robin Verheyen: Starbound
by J Hunter
After studying in his native Belgium and in the Netherlands, expatriate saxman Robin Verheyen spent a year at the Manhattan School of Music, where one of his teachers was soprano sax wizard Dave Leibman. Anyone familiar with Leibman's work knows the ex-Miles Davis sideman's musical feet are planted firmly on the ground... although which planet that ...
Marion Brown: Why Not?
by Raul d'Gama Rose
Marion Brown is often referred to as America's greatest unknown musician and this he very well is. His output has been small, but his wonderful alto horn can be heard on some of the finest records made--notably on Archie Shepp's Fire Music (Impulse, 1965) and with John Coltrane on Ascension (Impulse, 1965). And then there have ...
Komeda Project: Requiem
by Eyal Hareuveni
Komeda Project's Requiem is released 40 years after the untimely death of the great Polish composer and pianist Krzysztof Komeda, best known for his original soundtracks to Roman Polanski's films Knife in the Water and Rosemary's Baby, as well as his work with great Polish trumpeter Tomasz Stanko. The European-American Komeda ensemble--pianist/arranger Andrzej Winnicki, trumpeter Russ ...
Margeaux Lampley in Paris
by Guy Zinger
Margeaux Lampley Café Universel, Paris January 16th, 2010 As a treat for my 40th birthday, I went for a weekend in Paris to hear Margeaux Lampley. And a treat it was... Margeaux Lampley, born in New York, raised in California and, after practicing law in the U.S., starting her second ...
Bill Dixon: Excerpts from Vade Mecum
by AAJ Staff
Introduction by AAJ Contributor Clifford Allen. It is rare in the climate of this music to be presented with a view of an artist that is truly multifaceted, even though the collected works of most artists operate at a number of levels and, on occasion, in a number of media. Bill Dixon is probably best known ...
Klaus Gesing: Heartluggage
by John Kelman
Sometimes a musician's associations are so high profile that it's easy to overlook his own work as a leader. Seeming to appear out of nowhere on British vocal legend Norma Winstone's sublime Distances (ECM, 2008) and Tunisian oudist Anouar Brahem's equally chamber-centric The Astounding Eyes of Rita (ECM, 2009), Klaus Gesing is, in fact, an established ...
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