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Philip Larkin: Larkin's Jazz
by Chris May
The author of the immortal opening couplet, “They fuck you up, your mum and dad/They may not mean to, but they do," the poet Philip Larkin (1922-85) was in 2008 voted “the greatest British writer" of the last half century by the readers of The Times. No longer the newspaper of record it was in the ...
The Black Butterflies: 1 de Mayo
by Matt Marshall
The Black Butterflies1 de MayoThe Black Butterflies2010 While this is just the debut release from The Black Butterflies, a group led by 27-year-old saxophonist Mercedes Figueras, veterans would do well to prick up their ears and take note. The Butterflies deftly blend the Latin rhythms of Figueras' ...
Denny Zeitlin: Nothing Halfway
by Dan McClenaghan
San Francisco-based jazz pianist Denny Zeitlin--aka Dr. Dennis Zeitlin, Psychiatrist--boasts a music career that spans more than fifty years. He began, at a tender young age, playing professionally in the early fifties in his home town of Chicago. He was, very early in his life, interested in the fields of medicine and music, and he has ...
Royce Campbell: Solo Trane
by Jack Huntley
There are some albums which, on the very first listening, create an immediate auditory union with the musician. Credit ability, musicality, interpretation, song choice, or a blending of each, Royce Campbell's solo guitar tribute to the music of John Coltrane, Solo Trane, is one of those albums. It crackles with energy and creative force as Campbell ...
Ken Fowser & Behn Gillece: Little Echo
by Dan Bilawsky
Tenor saxophone and vibraphone frontlines--while not as commonplace as two horn teams--have their place in history. Lionel Hampton and Stan Getz had a marvelous meeting in the studio and Milt Jackson recorded with Sonny Rollins, Coleman Hawkins and John Coltrane, on different occasions. Bobby Hutcherson added to this legacy, working with Dexter Gordon and maintaining a ...
Introducing Anthony Braxton
by Robert Levin
[Editor's Note: This article first appeared in Jazz & Pop Magazine, 1970]To anyone still questioning the validity of the systems and methods at which Cecil Taylor and Ornette Coleman arrived, I would first of all recommend that he listen more attentively to the work of those men. But I'd also suggest that he make ...
Festival International de Jazz de Montreal: July 2-5, 2010
by Peter Walton
Festival International de Jazz de MontréalMontréal, Quebec, CanadaJuly 2-5, 2010I arrived in Montréal mid-week, the Festival International de Jazz de Montréal already in high gear. Closing off six square blocks of downtown Montréal, an area commanding six major outdoor stages and several indoor theaters and concert halls, the Festival International de ...
The Seattle Repertory Jazz Orchestra: Jimmy Heath: The Endless Search
by Dan McClenaghan
Tenor saxophonist Jimmy Heath is highly respected by his peers and by serious listeners, but he isn't well known outside the jazz world in the way that Dizzy Gillespie, Miles Davis, John Coltrane are. He played with those legends and many more. He formed The Heath Brothers in 1975 with his siblings, drummer Albert “Tootie Heath ...
Julian Waterfall Pollack: Infinite Playground
by Karl Ackermann
Musicians are often looked at in terms of their influences, mentors and roots, as if those things constitute some homeopathic magic. Though they don't, they provide convenient markers to use in weighing a frequently intangible level of talent. Twenty-two year-old jazz pianist Julian Waterfall Pollack arrives on the scene as if completely formed, full of innovative ...
Nat Birchall: Alone In The Music
by Chris May
Two of the most over-used phrases in music journalism are “overnight star" and “out of nowhere," and so apologies for starting with them here. But when it comes to describing British saxophonist Nat Birchall, they have an unusual degree of exactitude. Birchall, born in 1957 in the rural seclusion of the hill country of North-West England, ...
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