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The Emergence of Jimmy Lyons
by Robert Levin
[Editor's Note: From Jazz & Pop Magazine, 1970] Since 1960, when he began working with Cecil Taylor, alto saxophonist Jimmy Lyons has been developing from a somewhat diffident musician into one of the more potent voices in the New Music. In recent recordings and appearances with Taylor, Jimmy has been playing with a glowing ...
Photographer William Ellis Interviewed at All About Jazz
Black and white photographs of jazz legends taken by the likes of Leonard Feather, William P. Gottlieb and William Claxton have gained iconic status over the years. Decades on, their photographs of Charlie Parker, Dexter Gordon, Billie Holiday, John Coltrane, Chet Baker and Miles Davis adorn countless walls of jazz aficionados around the world. These photographs ...
Ratko Zjaca: Continental Talk
by Karl Ackermann
When a group's credentials include bassist John Patitucci, drummer Steve Gadd and trumpeter Randy Brecker, it's not an unreasonable expectation to hear some quality jazz. What may be more surprising is that leader, guitarist and composer, Ratko Zjaca and his longtime collaborator, saxophonist, Stanislav Mitrovic, steal the show on Continental Talk. This revelation is almost entirely ...
Mike Mainieri: Crescent
by Mark Corroto
Nearly forty-five years after the death of John Coltrane, jazz players still feel compelled to negotiate his music. Young cats wrestle with the harmonic complexities and attempt to conquer the saxophonist icon's mighty energy. Luckily, players like vibraphonist Mike Mainieri and saxophonist Charlie Mariano have made peace with the legend. Their document, in this two-disc set, ...
Jessica Williams: Touch
by Dan McClenaghan
Jessica WilliamsTouchOrigin Records2010 Pianist Jessica Williams continues to evolve, and what a pure music lover's joy it is to hear an artist entering her sixth decade on a roll, growing and expanding her vision. Classically trained at the Peabody Conservatory, jazz-trained in the bands of Philly Joe ...
Steve Johns with the Bob DeVos Organ Trio
by David A. Orthmann
Bob DeVos' Organ Trio is a prime example of a band that possesses a recognizable sound yet resists facile categorization. Since 2005, along with organist Dan Kostelnik and drummer Steve Johns, the Northern New Jersey-based guitarist has played numerous live gigs and recorded two compact discs, Shifting Sands and Playing For Keeps, both released on Savant ...
Steve Cardenas: From K.C. to N.Y.C.
by Matthew Warnock
Kansas City has had a long and storied place in jazz history. From Count Basie, to Charlie Parker and Lester Young, some of the best and brightest in the genre have either been raised or cut their teeth in K.C. While there seems to be an historical tinge to the city whenever its contribution to jazz ...
Introducing Booker Little
by Robert Levin
[Editor's Note: This interview last appeared in Jazz & Pop, 1970. Little died in 1961, just a few months after it was originally published in Metronome.] Booker Little, twenty-three year-old composer, arranger and trumpet player (the order is arbitrary, each role has equal importance to him), has lately come to demonstrate, in recordings and ...
Cecil Taylor at the Take 3, 1962-'63
by Robert Levin
The following is a chapter from “Going Outside: Fiction * Commentary * Jazz." robert-levin.com. In the summer of 1962, Cecil lands a three-month, four-night-a-week gig at The Take 3, a coffee house on Bleecker Street. It's right next door to The Bitter End where Woody Allen had performed just weeks ...
Various Artists: Larkin's Jazz
by Bruce Lindsay
Philip Larkin is one of the best-loved British poets of the twentieth century--the man who claimed in Annus Mirabilis that “Sexual intercourse began in nineteen-sixty-three..." A librarian at the University of Hull in the north-east of England, he was a complex character whose poems were often witty and well-observed but could also appear cynical and contemptuous. ...
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