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John Surman: Flashpoint: NDR Jazz Workshop - April '69
by Nic Jones
In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...
Harriet Tubman: Ascension
by Raul d'Gama Rose
The raison d'être for the band, Harriet Tubman, is an almost aching musical yearning for a complete freedom. It is a freedom from genre and certainly on Ascension, complete freedom from style as well as style. This what the 20th Century Spanish poet and playwright, Federico Garcia-Lorca described as the heart of duende, a holistic alternative ...
Thelonious Monk: Monk's Music
by Chris May
Many albums in the Original Jazz Classics reissue series include alternate takes or tracks recorded for, but ultimately not included on, the original vinyl LP. The label's 2011 Remasters edition of pianist Thelonious Monk's Monk's Music (Riverside, 1957) is no exception--but is something of a first, in that “Blues For Tomorrow," the 13:33 minute bonus track, ...
Scott Burns: Passages
by Alex Marianyi
Chicago-based tenor saxophonist Scott Burns has said that he practices each exercise, pattern, or whatever else he may be working on until he gets it perfect. Five times in a row. The results of this type of practicing couldn't be any more obvious than on Passages, release by Origin in 2006. Through this rigorous study, Burns ...
Filmic Features during Jazz Week from Jazz Boston at Boston Public Library and Regent Theatre in Arlington
Jazz Week always includes a few events given to film finds and this year is not about to be an exception. “In My Mind" is an acclaimed documentary about rising jazz pianist Jason Moran's 50th anniversary tribute to Thelonious Monk's historic 1959 Town Hall Concert in New York City. The 97-minute film had its Boston premiere ...
David Mott: Dragonhorn
by Karl Ackermann
Baritone saxophonist David Mott has turned out the finest solo sax recording since Anthony Braxton's Wesleyan 12 Altosolos (Hat Hut Records 1992). That is not to suggest that Mott's Dragonhorn is similar to Braxton's particular style. Mott's ten compositions are not given to episodic jumps, vibrations or anything remotely antiseptic. Rather, they are packed with emotion, ...
Jazz: For all, or the few?
Let's face it... Jazz as a musical force is not what was back in it's heyday. Yes, Jazz continues to evolve with it's never ending strive for innovation. Jazz radio stations remain very popular, and as I hear from Voice of America's Jazz America program every Saturday morning (Kuwait local time), the amount of new Jazz ...
Michael Bisio: Stepping Into the Limelight
by Gregory Applegate Edwards
Bassist Michael Bisio has become an increasingly visual and aural presence on the jazz/improvisation scene in the time since he moved from the west coast to New York. Yet he has been a significant contributor in jazz circles for years, and success was no overnight thing. Among other ongoing associations, Bisio is currently the bassist in ...
Benjamin Drazen: Inner Flights
by Raul d'Gama Rose
Inside Benjamin Drazen is an old soul, nestling cheek-by-jowl in a fertile mind, brimful with new ideas that undulate and flow beautifully from his alto saxophone. That he is able to take control of this force, and harness its power to open a virtual door to the temple of his muses--running the gamut of saxophonists from ...
Jonathan Kreisberg: Shadowless
by Raul d'Gama Rose
Jonathan Kreisberg's music sounds so fresh and new that it seems to have escaped from a parallel universe through a virtual door--assaulting the senses in the known one--where everything else exists in brain-numbing manner. From the first notes he strikes, the guitarist creates a jolting spark, starting an accelerating fire that lights up the taut voices ...
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