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Metta Quintet: Big Drum / Small World
by John Kelman
While the old adage, “those that can, do; those that can't teach" once had meaning, its verisimilitude in a jazz world where artists are increasingly forced to turn to education as a means of steady income would appear to be in jeopardy. But there have always been artists deftly committed to both teaching and doing.
Great Jazz Deserves To Be Heard And Seen At It's Best
by Toby Gleason
Why I'm filing a mass take-down notice on YouTubeFor several decades, my father committed himself to championing the popular emergence of jazz, and engendering proper respect for the musicians who devoted their careers and lives to the music that had long been dismissed to the sidelines of main stream American culture. Ralph J. Gleason ...
Jacob William Quartet: Secondary Deviations
by Chris Rich
Jacob William made his way to the Boston area from Chennai, India. He made the music school rounds well after formative years in the homeland among his peers there. He cites reed multi- instrumentalist Anthony Braxton as an important mentor and makes a fabric of community in Boston over the course of his sojourns through Wesleyan, ...
Stanley Clarke: The Complete 1970s Epic Albums Collection
by John Kelman
Legacy Recordings' recent spate of Complete Albums Collection box sets have righted a whole slew of wrongs by bringing long out-of-print recordings back in a reasonably priced and tidily collected series. They may be relatively light on production values--simple clamshell-style boxes, mini-LP cardboard sleeves, and booklets whose information, beyond detailed track and personnel listings, is largely ...
The 11th Annual Jazz Cruise: January 29-February 5, 2012
by Larry Taylor
Tributes to saxophonist Benny Golson and pianist Oscar Peterson highlighted the 11th annual Jazz Cruise, January 29 to February 5, 2012. As well, stellar performances were turned in by an assemblage of over 80 musicians, onboard for the Holland America cruise of the Caribbean. The spacious Westerdam ship was christened in 2004 and is one of ...
Drums and Numerology: Tommy Igoe and Jonathan Blake Embrace the Number Eleven
by Dan Bilawsky
In numerology, eleven is said to be a master number, capable of representing those who inspire and lead, often achieving greatness in the process. Charisma and an intuitive way of thinking frequently underscore the thought-process of eleven-oriented individuals, helping to lead them to success in their chosen paths. With these thoughts in mind, ...
Don Alias and Nina Simone
by Melanie Futorian
[Editor's Note: Cymbalism is a new All About Jazz column that will feature excerpts from an upcoming autobiography on the late, great percussionist Don Alias, co-written by Melanie Futorian, his companion for the last seven years of his life. This installment pays tribute to the sixth anniversary of his death in March, 2006.] Don ...
George Barron @ Cheltenham Center for the Arts on March 7th
Appearing at the Cheltenham Center for the Arts, 439 Ashbourne Rd, Cheltenham, PA on March 7th 2012 will be saxophonist George Barron and his band, featuring pianist Farid Barron, bassist Tyrone Brown, and drummer Alan Nelson. One show: 7:30-9PM. Tickets: $10/$5 for students. No advance sales. Free Refreshments! For info: 215-517-8337. This Jazz Bridge Neighborhood Concert ...
Amir ElSaffar: At Two Rivers' Confluence
by Daniel Lehner
There was a point during Amir ElSaffar's study of Arabic music where he almost didn't come back to jazz. He had gone to Iraq to study maqam, the system of melodic modes in traditional Arabic music, in order to bring some of the concepts into jazz. However, the experience proved to be a deepening one for ...
Wes Montgomery: Echoes of Indiana Avenue
by Raul d'Gama Rose
Not since the discovery of the Voice of America tapes of the 1957 Carnegie Hall concert by Thelonious Monk and John Coltrane has there been an event as exciting as the surfacing of this rare first recording by guitar-maestro Wes Montgomery. The Echoes of Indiana Avenue masters, procured by Montgomery fan Jim Greeninger, were offered to ...
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